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[MUSIC PLAYING]
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[MUSIC CONTINUES]
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sync and corrections by awaqeded
www.addic7ed.com.
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[LEONARDO SIGHING]
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Open it to the page I marked.
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Tell me what you see.
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It's a list of ingredients.
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To make composition of death.
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The poison from which
you saved Ludovico.
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The same poison used to
murder Caterina da Cremona.
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[SCOFFS SOFTLY]
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Oh, you think this is funny?
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I think it's absurd.
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You deny poisoning her?
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Mmm, I do.
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Why then didn't you give her the
same antidote you gave Il Moro?
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I lacked the necessary ingredients.
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Tell me what they are, and
we'll search your studio.
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If it's true you didn't have them,
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it will add credibility to your story.
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I don't recall the names.
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Leonardo, every witness I've
spoken to believes you're guilty,
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do you wish to hang?
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You told me how much Caterina
da Cremona meant to you.
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I told you she was love.
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Yet you're accused of killing her
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simply because she burnt
some of your work.
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That is the most credible
part of the accusation.
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That you killed love... itself
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for destroying mere ink on paper?
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Some daubs of paint on wood?
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You doubt I would
spill blood for my art.
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But I already have.
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MAN: And now, gentlemen, our next
speaker on the topic this evening,
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Leonardo da Vinci.
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What is the most noble endeavor
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mankind can pursue?
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[SHUDDERED BREATHS]
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[STRAINING]
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Others have made the
case for the study of plants,
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the design and engineering
of man-made structures,
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the understanding of complex machines,
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the kind of which the
world has never seen before.
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[BEATRICE GRUNTS IN PAIN]
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Very good, Madonna.
Another push, please.
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I'm with you, my darling. I'm here now.
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Don't leave me. Don't leave me.
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But only one endeavor
combines these disciplines
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to make something
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magical.
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Only art
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can take the pain and
suffering of our lives
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and turn it into beauty.
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[SHOUTING FROM PAIN]
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Something is wrong?
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Do something, damn you!
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LEONARDO: Beauty.
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Great beauty is a truth that echoes
through the centuries defying time.
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Giving the artist and his
patron a kind of immortality.
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And that, gentlemen,
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is why art is the noblest endeavor.
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Maestro.
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- Come, quickly.
- What is it?
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Just come.
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Your Grace.
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Yes. Uh... Come. Come.
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The...
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The child is gone.
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But my wife...
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You must bring her back.
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Like you did me.
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Your Excellency,
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the poison only briefly
stopped your heart.
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There is no potion,
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no medicine,
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that can restore life, once
life has been taken away.
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No.
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[STAMMERS] That cannot be.
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[SOBBING]
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Do something.
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I assure, your Excellency, if
there was anything I could do,
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anything at all...
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I...
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[CRYING]
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[DOOR OPENING]
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It's about time.
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Leonardo.
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What's wrong?
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[KNOCKING ON DOOR]
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TOMMASO: Leonardo?
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[KNOCKING CONTINUES]
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- Leonardo.
- What?
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- It's the bronze.
- What about it?
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They're taking it all. All
the bronze for the horse.
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- They're taking it?
- Yes.
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LEONARDO: What is the meaning of this?
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He says it's all been confiscated.
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- On whose authority?
- The Duke's.
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That bronze is for the
statue he commissioned.
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Not anymore, it's not.
I'm sorry, Leonardo.
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The French are threatening towns nearby.
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We have to cast cannons
to defend ourselves.
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No, no, please. Tell them to stop.
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At least until I've spoken to Il Moro.
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It'll mean all the work that
we've done has been wasted!
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Perhaps you should have used
the bronze when you got it.
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Instead of dawdling.
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Where is the Duke?
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Il Moro is grieving.
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But I advise you not to disturb him.
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Where is he?
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Leonardo.
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He's been here all night.
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Your Excellency?
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Sorry to disturb you.
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Sanseverino, he's taking all the bronze.
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Yes, I know.
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But he can't do this.
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He can't?
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He works for me.
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Do you mean to say...
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I can't?
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This statue is to honor your family.
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I've been working on it for a long time.
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And do you think I don't know that?
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[SHOUTING] You trespass on my grief!
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Look into my eyes, Leonardo.
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What do you see?
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I see pain.
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I will never again hear
my sweet wife's voice.
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I will never feel the
softness of her touch.
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Have you ever borne such a loss?
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Do you know what it is
to live with such a wound?
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I will honor my family.
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But in a different way.
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Come.
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The entire convent is to become a
mausoleum for my beloved Beatrice.
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Bramante will redesign
the dome and the crossing,
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and you...
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You will paint this.
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What?
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A fresco.
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Our Lord's final night
with the apostles,
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before death came.
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Your Excellency, um...
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I don't know how to work in fresco.
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Then you will learn.
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[BREATHING HEAVILY]
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[CRYING]
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[KNOCKING ON DOOR]
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Thank you for coming, Father.
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He's in his room upstairs.
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He hasn't eaten or
spoken to anyone in days.
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I understand his disappointment,
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but the fresco could be an even
more important commission.
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Well, he's refusing to accept it.
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If he doesn't take this commission,
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it's not just the statue he's lost.
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It's his place in this city.
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And ours.
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[SIGHS]
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It's not just about him, you know?
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[KNOCKING ON DOOR]
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Come in.
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[DOOR CLOSING]
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Maestro, I'm Friar Luca
Pacioli, from the court.
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I know who you are, Father Luca.
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I read your books on
mathematics. They're inspired.
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Your friends think you are in
need of spiritual guidance.
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I am beyond consolation.
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No one is beyond the love of Christ.
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I've devoted myself to a folly.
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And now I am commanded
to begin another. I...
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I am a toy
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for His Excellency's pleasure.
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It's a kind of living hell.
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You cannot find beauty or truth
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in the story of the last supper?
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You heard my address.
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I was quite persuaded by it.
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I have no desire to search
for truth in this subject.
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Then you must find it in yourself.
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What is your truth, Leonardo?
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My truth?
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As a man, not as an artist.
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What is the thread
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that runs through
the tapestry of your life?
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Betrayal.
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Betrayal by whom?
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My mother, my father, as a child.
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[HORSE NEIGHING]
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[IN ITALIAN] Papa! Papa!
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00:14:21,273 --> 00:14:24,929
LEONARDO: By a man I
trusted when I came to Milan.
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LEONARDO: And now Il Moro.
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And do you not think Jesus
suffered betrayal also?
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He'll see you now.
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Thank you.
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00:14:58,921 --> 00:15:01,184
Tell Giulio to order
wood for the scaffolding.
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00:15:01,185 --> 00:15:02,619
And I want Marco to get pigments
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00:15:02,621 --> 00:15:04,013
from the convent at
San Giusto alle Mura.
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Then we're getting to work?
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We've wasted enough time,
don't you think?
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00:15:06,537 --> 00:15:08,147
- Where are you going?
- Research.
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- TOMMASO: Where?
- The market.
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The apostles will need
faces, won't they?
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LEONARDO: "Dearest Caterina,
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00:15:14,851 --> 00:15:18,506
"I send this letter to Florence
not knowing if it'll reach you,
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"or whether you'll read it if it does.
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00:15:21,380 --> 00:15:23,642
"I am desperate to know how you are,
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"and I never should have
let you leave in anger.
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00:15:26,776 --> 00:15:30,085
"Your absence has torn a hole in
my heart that cannot be mended.
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"So I seek consolation in my work."
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00:15:34,219 --> 00:15:36,744
"I spend day after day in the market,"
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00:15:36,745 --> 00:15:40,443
"seeking to find truth
in the faces I see there."
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00:15:40,444 --> 00:15:43,011
"I have been given one last
chance to create a masterpiece."
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00:15:43,012 --> 00:15:44,621
[SPEAKING INDISTINCTLY]
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00:15:44,622 --> 00:15:46,581
"After all I've lost, I must seize it."
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00:15:50,933 --> 00:15:52,185
[INAUDIBLE]
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00:16:00,509 --> 00:16:02,205
"I don't expect you to understand"
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00:16:02,206 --> 00:16:05,383
"but I hope, in time, you will forgive."
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00:16:05,384 --> 00:16:07,124
"Yours, Leonardo."
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00:16:17,135 --> 00:16:18,658
[SIGHS]
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00:16:18,659 --> 00:16:20,573
TOMMASO: This is not
how a fresco is painted.
224
00:16:20,574 --> 00:16:23,619
How do you know? Verrocchio
never taught us the technique.
225
00:16:23,620 --> 00:16:25,490
Precisely.
226
00:16:25,492 --> 00:16:28,494
I am not suited for
fast work like you are.
227
00:16:28,495 --> 00:16:30,844
But that is the only way
a fresco can be painted.
228
00:16:30,845 --> 00:16:33,239
It was, until now.
229
00:16:33,240 --> 00:16:36,633
On a fresco, the plaster is damp.
230
00:16:36,634 --> 00:16:39,418
Which means we can only
paint a small section each day
231
00:16:39,419 --> 00:16:41,855
before the work has to be
completed and the plaster dries.
232
00:16:41,857 --> 00:16:44,816
- Just so.
- Well, this is a new type of fresco!
233
00:16:44,817 --> 00:16:46,776
One that will allow us more time.
234
00:16:48,472 --> 00:16:49,724
Leonardo...
235
00:16:51,999 --> 00:16:55,305
People have painted frescos the
same way for hundreds of years.
236
00:16:55,306 --> 00:16:56,393
This is impossible.
237
00:16:56,395 --> 00:16:58,527
Oh, just stop saying it's impossible!
238
00:17:00,878 --> 00:17:02,129
All right.
239
00:17:03,401 --> 00:17:05,228
Listen, I'm sorry.
240
00:17:05,229 --> 00:17:09,581
This method not only allows
us to work more carefully,
241
00:17:09,582 --> 00:17:13,890
but it ensures that the fresco
retains its true colors for longer.
242
00:17:13,891 --> 00:17:15,197
It sounds excellent.
243
00:17:15,198 --> 00:17:16,633
- Inspired.
- LEONARDO: It is.
244
00:17:16,634 --> 00:17:18,243
And what is this method?
245
00:17:18,244 --> 00:17:22,508
So, we... we apply our special
kind of tempera onto a dry wall
246
00:17:22,509 --> 00:17:25,685
and after it dries, we're
able to paint another layer.
247
00:17:25,686 --> 00:17:28,514
And another, and another. We can
do this maybe five or six times.
248
00:17:28,516 --> 00:17:31,040
This is something we couldn't
do with a traditional fresco.
249
00:17:32,302 --> 00:17:34,694
All right, then. If you say so.
250
00:17:34,695 --> 00:17:38,656
But it's not if I say so, is it?
251
00:17:38,657 --> 00:17:42,182
I need you all to use your
minds to ensure this works.
252
00:17:44,184 --> 00:17:45,435
[GROANS SOFTLY]
253
00:17:46,360 --> 00:17:47,612
[SIGHS]
254
00:17:57,503 --> 00:17:59,200
You know,
255
00:17:59,201 --> 00:18:01,767
loyalty doesn't just mean
agreeing with him.
256
00:18:01,768 --> 00:18:05,120
Sometimes it means telling him
the truth when no one else will.
257
00:18:06,556 --> 00:18:07,949
Awfully gloomy, aren't you?
258
00:18:09,995 --> 00:18:12,257
So you just smile and nod?
259
00:18:12,258 --> 00:18:14,303
Like everything will be fine?
260
00:18:14,304 --> 00:18:16,043
Better than piling your fears
261
00:18:16,044 --> 00:18:18,307
on top the weight that's
already on his shoulders.
262
00:18:48,079 --> 00:18:49,472
[SPEAKING ITALIAN] Girls, listen.
263
00:18:51,126 --> 00:18:55,434
Make another 20 in green
and a dozen in yellow.
264
00:18:56,827 --> 00:18:58,078
Good, go on.
265
00:19:01,006 --> 00:19:03,659
[IN ENGLISH] I beg
you sir, I need a job.
266
00:19:03,661 --> 00:19:06,316
There isn't one. We've got
all the women we need.
267
00:19:07,577 --> 00:19:10,754
- But surely you could use one more?
- No.
268
00:19:10,755 --> 00:19:12,364
You're wasting my time.
269
00:19:12,365 --> 00:19:13,616
Please.
270
00:19:14,324 --> 00:19:15,576
Please...
271
00:19:17,414 --> 00:19:18,982
I'll work at half wages.
272
00:19:20,157 --> 00:19:21,419
Please, sir.
273
00:19:37,435 --> 00:19:39,959
Marco says the pigments
have been delivered
274
00:19:39,960 --> 00:19:41,587
to the convent at San Giusto alle Mura.
275
00:19:42,180 --> 00:19:43,432
Thank you.
276
00:19:48,316 --> 00:19:49,796
TOMMASO: Still sketching faces?
277
00:19:49,797 --> 00:19:53,409
Mmm. Just as one
selects actors for a play,
278
00:19:55,063 --> 00:19:58,109
one must select the right faces
279
00:19:58,110 --> 00:20:01,070
to express the temperament
of each of the apostles.
280
00:20:02,898 --> 00:20:04,525
Are you sure you're not doing too much?
281
00:20:07,337 --> 00:20:09,382
What do you mean?
282
00:20:09,383 --> 00:20:11,994
Well, you told me the
Adoration of the Magifailed
283
00:20:11,995 --> 00:20:16,042
because you tried to cram
it full of too many ideas.
284
00:20:16,043 --> 00:20:19,610
Are you sure you're not repeating
the same mistake here?
285
00:20:22,310 --> 00:20:23,562
No.
286
00:20:25,182 --> 00:20:26,444
No, I'm not sure.
287
00:20:29,099 --> 00:20:31,518
You tell everyone we'll start
work at the convent tomorrow.
288
00:20:32,276 --> 00:20:33,528
Of course.
289
00:20:47,031 --> 00:20:48,283
[MEN SPEAKING INDISTINCTLY]
290
00:20:57,695 --> 00:20:58,947
My coins!
291
00:20:59,914 --> 00:21:01,700
They have disappeared from my bag.
292
00:21:03,745 --> 00:21:04,996
Salai?
293
00:21:07,749 --> 00:21:09,316
Were those your coins?
294
00:21:11,579 --> 00:21:13,276
I found them on the floor
295
00:21:13,277 --> 00:21:16,279
and put them in my
pocket for safekeeping.
296
00:21:16,280 --> 00:21:18,021
You really must be more careful, boy.
297
00:21:18,631 --> 00:21:20,414
Let's see.
298
00:21:20,415 --> 00:21:23,201
One, two, three. Anything left? No.
299
00:21:26,204 --> 00:21:27,455
Salai, a word.
300
00:21:29,642 --> 00:21:30,893
You have talent.
301
00:21:31,514 --> 00:21:33,645
You could be a great artist.
302
00:21:33,647 --> 00:21:35,690
But if I catch you stealing again,
303
00:21:35,692 --> 00:21:38,348
I'll kick you out on the street
where you came from. Am I clear?
304
00:21:43,309 --> 00:21:45,777
It's like asking a fish not to swim.
305
00:21:45,801 --> 00:21:46,616
Mmm.
306
00:21:46,617 --> 00:21:48,662
Will you find another place
for these friars to eat?
307
00:21:48,663 --> 00:21:49,915
Of course.
308
00:21:50,708 --> 00:21:51,960
Friars, please.
309
00:21:58,716 --> 00:21:59,967
[BREATHING HEAVILY]
310
00:22:17,781 --> 00:22:19,174
Are you with child?
311
00:22:21,828 --> 00:22:23,079
Mind your own business.
312
00:22:42,110 --> 00:22:43,361
This is the vanishing point,
313
00:22:44,244 --> 00:22:45,548
the farthest place in the room
314
00:22:45,549 --> 00:22:48,204
in which Jesus and the
apostles are seated.
315
00:22:48,205 --> 00:22:49,728
The walls in that room
316
00:22:50,729 --> 00:22:53,646
extend out from it.
317
00:22:55,386 --> 00:22:57,430
Some people enter and look up...
318
00:22:57,431 --> 00:23:01,219
It will seem as if this room
continues into that one.
319
00:23:02,568 --> 00:23:04,698
That they are, in fact, one.
320
00:23:04,700 --> 00:23:07,572
It will feel as if we are
in the room with Jesus
321
00:23:07,574 --> 00:23:10,053
as he ate his final meal
before the crucifixion.
322
00:23:12,186 --> 00:23:13,970
That will make disciples of us all.
323
00:23:23,981 --> 00:23:25,233
Higher.
324
00:23:32,947 --> 00:23:34,199
Straighten.
325
00:24:08,072 --> 00:24:11,117
What will people think
about the way they are sat?
326
00:24:11,118 --> 00:24:15,166
Well, the placement
of the apostles suggests
327
00:24:15,167 --> 00:24:16,863
their relationship to Christ.
328
00:24:16,864 --> 00:24:20,954
While their facial expressions
convey their emotions.
329
00:24:20,955 --> 00:24:22,695
What emotions?
330
00:24:22,696 --> 00:24:25,873
He's talking about the bread
becoming his body, so...
331
00:24:25,874 --> 00:24:28,875
No, no, this is a different
moment, from the gospel of John.
332
00:24:28,876 --> 00:24:30,877
So, if you see this triad here,
333
00:24:30,878 --> 00:24:34,534
we see John is leaning away
from Jesus towards Peter
334
00:24:34,536 --> 00:24:36,275
who's whispering in his ear,
335
00:24:36,276 --> 00:24:38,451
while Judas here recoils.
336
00:24:38,452 --> 00:24:40,846
"Amen, amen, I say to you,"
337
00:24:40,847 --> 00:24:42,098
"one of you shall betray me."
338
00:24:44,546 --> 00:24:45,894
I've been to church.
339
00:24:45,895 --> 00:24:47,146
Occasionally.
340
00:24:48,289 --> 00:24:49,985
I hope they locked up the silverware.
341
00:24:49,986 --> 00:24:51,465
[SNICKERING]
342
00:24:51,466 --> 00:24:54,468
The moment Jesus reveals
he will be betrayed. Exactly.
343
00:24:54,469 --> 00:24:58,866
Betrayal? Surely Il Moro means
this work to celebrate our Lord.
344
00:25:00,433 --> 00:25:03,087
If the Duke wishes
to celebrate our Lord,
345
00:25:05,046 --> 00:25:07,876
let him do so by remembering
Jesus was also a man.
346
00:25:09,051 --> 00:25:10,487
With passions and feelings.
347
00:25:12,141 --> 00:25:13,601
As were the apostles who loved him.
348
00:25:14,752 --> 00:25:16,003
MARCO: Leonardo? Come.
349
00:25:16,841 --> 00:25:17,928
What is it?
350
00:25:17,929 --> 00:25:19,366
You'll see. Come.
351
00:25:24,762 --> 00:25:27,896
I'm not sure this is what
the Duke expected.
352
00:25:27,897 --> 00:25:32,510
I think the Duke expected that Leonardo
would exceed his expectations.
353
00:25:43,217 --> 00:25:44,843
How many of the
pigments have they mixed?
354
00:25:44,867 --> 00:25:45,982
All of them.
355
00:25:50,443 --> 00:25:51,694
LEONARDO: Beautiful.
356
00:25:53,664 --> 00:25:56,143
Do you remember how we used
to stare at the alchemist's closet
357
00:25:56,144 --> 00:25:57,929
at the back of Verrocchio's workshop?
358
00:25:59,277 --> 00:26:01,322
It all seemed so unreachable then.
359
00:26:01,323 --> 00:26:02,575
LEONARDO: Not anymore.
360
00:26:04,065 --> 00:26:05,764
Now we have the key to everything.
361
00:26:07,286 --> 00:26:09,374
LEONARDO: "Dearest Caterina,
362
00:26:09,375 --> 00:26:12,117
"we were not the only ones celebrating."
363
00:26:12,118 --> 00:26:15,686
"Il Moro triumphed in
battle against the French."
364
00:26:15,687 --> 00:26:19,038
"It seems he put to good use those
cannons he cast from our bronze."
365
00:26:20,735 --> 00:26:23,782
"But yesterday, while
walking in the market,"
366
00:26:23,783 --> 00:26:26,261
"I witnessed an event that
made my blood run cold."
367
00:26:26,262 --> 00:26:27,514
[HORSES NEIGHING]
368
00:26:28,178 --> 00:26:30,484
"Despite his victory,"
369
00:26:30,485 --> 00:26:33,227
"Ludovico's grip on power is
not as secure as it seems."
370
00:26:36,926 --> 00:26:39,581
ANNOUNCER: Open the gates!
Ludovico Sforza wants to exit.
371
00:26:40,278 --> 00:26:41,529
Let's go!
372
00:26:42,367 --> 00:26:43,630
Death to the tyrant!
373
00:26:49,679 --> 00:26:51,202
LEONARDO: "Two supporters of the French"
374
00:26:51,203 --> 00:26:53,290
"made a daring attempt on
his life in broad daylight."
375
00:26:53,291 --> 00:26:55,816
- After him!
- "One of the men escaped."
376
00:26:55,817 --> 00:26:57,558
"He looked right into my eyes."
377
00:27:05,827 --> 00:27:07,079
Would you like some wine?
378
00:27:07,393 --> 00:27:09,220
No.
379
00:27:09,222 --> 00:27:10,526
I'd rather get some sleep.
380
00:27:10,527 --> 00:27:11,779
So should you.
381
00:27:55,358 --> 00:27:56,794
Where are the pigments?
382
00:27:56,795 --> 00:27:58,056
They were right here yesterday.
383
00:27:58,057 --> 00:27:59,725
It's a church. We
thought they'd be safe.
384
00:28:05,804 --> 00:28:07,719
Where have they gone?
385
00:28:07,720 --> 00:28:09,111
You don't think I took them.
386
00:28:09,112 --> 00:28:11,635
Who else? Everyone knows you're a thief.
387
00:28:11,637 --> 00:28:13,420
Leonardo, you know I would
never do such a thing.
388
00:28:13,421 --> 00:28:14,725
We're ruined.
389
00:28:14,726 --> 00:28:17,163
- We have to replace them.
- With what?
390
00:28:17,165 --> 00:28:19,034
Do you have any idea
what those pigments cost?
391
00:28:19,035 --> 00:28:20,454
TOMMASO: No, that will take weeks.
392
00:28:21,472 --> 00:28:22,724
If not months.
393
00:28:23,387 --> 00:28:24,562
[SIGHS]
394
00:28:24,563 --> 00:28:26,478
Leonardo, what do you want to do?
395
00:28:27,609 --> 00:28:30,394
All the men must be laid off.
396
00:28:30,395 --> 00:28:33,181
The work is stopped until we
can replace what we've lost.
397
00:28:58,251 --> 00:28:59,862
[PEOPLE SPEAKING INDISTINCTLY]
398
00:29:17,402 --> 00:29:19,926
Well, if it isn't the pretty boy.
399
00:29:19,927 --> 00:29:23,059
I was getting to think we'd
never see you again, Giacomo.
400
00:29:23,060 --> 00:29:25,237
I certainly hoped
I'd never see you again.
401
00:29:25,803 --> 00:29:27,054
That's not kind.
402
00:29:27,978 --> 00:29:29,501
After all the money I made you.
403
00:29:29,502 --> 00:29:31,636
You mean all the money
I made you, Filippo.
404
00:29:33,419 --> 00:29:35,550
Some pigments went missing last night
405
00:29:35,551 --> 00:29:37,771
from Santa Maria delle Grazie.
406
00:29:37,772 --> 00:29:39,467
I might have heard about it.
407
00:29:39,468 --> 00:29:42,689
Whoever took them, I figured
they might end up in your hands.
408
00:29:43,909 --> 00:29:46,519
[CHUCKLES] How much
do you want for them?
409
00:29:46,520 --> 00:29:47,913
How much are you willing to pay?
410
00:29:48,914 --> 00:29:50,219
Name your price.
411
00:29:50,220 --> 00:29:54,310
My! You're eager, aren't you?
412
00:29:54,311 --> 00:29:57,574
I might be willing to recover
those paints for you.
413
00:29:57,575 --> 00:29:59,285
But you'll have to
work them off in trade.
414
00:29:59,795 --> 00:30:01,361
I don't do that anymore.
415
00:30:01,362 --> 00:30:02,614
You don't?
416
00:30:03,233 --> 00:30:04,365
I'm an artist now.
417
00:30:04,366 --> 00:30:05,617
[LAUGHS]
418
00:30:07,195 --> 00:30:08,446
An artist.
419
00:30:10,024 --> 00:30:11,275
Is that what you think?
420
00:30:14,158 --> 00:30:16,377
If you want those paints back,
421
00:30:16,378 --> 00:30:17,859
you'll do exactly what I say.
422
00:30:18,597 --> 00:30:19,848
Huh?
423
00:30:46,106 --> 00:30:47,357
Sleeping on the job?
424
00:30:51,328 --> 00:30:52,579
Oh...
425
00:30:53,679 --> 00:30:55,725
Yes, I must have drifted off.
426
00:30:58,945 --> 00:31:00,468
I was in the chapel praying.
427
00:31:06,213 --> 00:31:08,433
I understand your pigments
have gone missing.
428
00:31:10,828 --> 00:31:12,079
A temporary setback.
429
00:31:16,921 --> 00:31:18,172
[TAPPING BENCH]
430
00:31:21,665 --> 00:31:25,887
Rumors are circulating at court
that you're in over your head.
431
00:31:28,760 --> 00:31:30,012
Some are taking bets.
432
00:31:30,849 --> 00:31:32,100
What kind of bets?
433
00:31:34,678 --> 00:31:36,159
That you'll never finish it.
434
00:31:41,469 --> 00:31:42,720
Did I frighten you?
435
00:31:45,690 --> 00:31:47,475
Well.
436
00:31:47,476 --> 00:31:49,433
A little fear is good for an artist.
437
00:31:52,828 --> 00:31:54,962
I have invested much in you, Leonardo.
438
00:31:57,007 --> 00:31:58,356
And you have given me
439
00:31:59,576 --> 00:32:01,490
very little in return.
440
00:32:03,535 --> 00:32:05,886
I saved your life.
441
00:32:05,887 --> 00:32:08,018
There are times I wonder
if you don't regret that.
442
00:32:09,237 --> 00:32:11,761
Why do you say that?
443
00:32:11,762 --> 00:32:16,070
You had the bronze to cast
that statue for months.
444
00:32:16,071 --> 00:32:19,116
Well, no one has ever
cast a statue of that size.
445
00:32:19,117 --> 00:32:21,599
I've been trying to solve the
technical challenge of it.
446
00:32:23,296 --> 00:32:24,547
Possibly.
447
00:32:25,908 --> 00:32:28,212
Or possibly you were no
longer eager to honor me,
448
00:32:28,214 --> 00:32:29,998
after the death of my nephew,
449
00:32:29,999 --> 00:32:32,524
and the abrupt departure of your friend,
450
00:32:33,437 --> 00:32:34,830
the lovely Caterina.
451
00:32:36,266 --> 00:32:38,835
I remain fully committed,
Your Excellency.
452
00:32:41,011 --> 00:32:42,262
Then prove it.
453
00:32:49,106 --> 00:32:50,358
[SIGHS DEEPLY]
454
00:33:08,083 --> 00:33:10,085
[WHISPERS] Leonardo. Come. Quickly. Mmm?
455
00:33:10,912 --> 00:33:12,163
Come on. What?
456
00:33:22,663 --> 00:33:23,915
How did you get these?
457
00:33:25,275 --> 00:33:26,798
You just need to know who to ask.
458
00:33:30,759 --> 00:33:32,010
Everything's here!
459
00:33:32,979 --> 00:33:35,068
Yes.
460
00:33:35,069 --> 00:33:37,113
Tell the men we return to
work tomorrow morning.
461
00:33:37,114 --> 00:33:38,365
Will do.
462
00:33:39,943 --> 00:33:41,194
[BOTH CHUCKLING]
463
00:33:57,657 --> 00:33:59,223
LEONARDO: "Dearest Caterina",
464
00:33:59,224 --> 00:34:01,271
"I feel like I'm drowning without you."
465
00:34:02,489 --> 00:34:04,360
"I am driven to complete the fresco,"
466
00:34:04,361 --> 00:34:07,929
"and have been unable
to sleep for weeks."
467
00:34:07,930 --> 00:34:10,670
"The slightest error has been
enough to send me into a rage."
468
00:34:10,671 --> 00:34:12,411
Oh, no, no, no! Giulio, no!
469
00:34:12,412 --> 00:34:16,546
No, don't start on the
hands! Start on the shirt!
470
00:34:16,547 --> 00:34:19,419
"I felt as if all my life
hanged in the balance."
471
00:34:26,907 --> 00:34:29,736
"I have been consumed
by a terrible foreboding."
472
00:34:43,881 --> 00:34:45,132
Good boy.
473
00:34:49,060 --> 00:34:51,802
LEONARDO: "I sense that I
have made some fatal mistake."
474
00:34:56,416 --> 00:34:59,896
"And today, I realized I had."
475
00:34:59,897 --> 00:35:01,943
Stop. Everyone stop.
476
00:35:03,336 --> 00:35:04,588
It's wrong.
477
00:35:05,207 --> 00:35:06,642
What's wrong?
478
00:35:06,643 --> 00:35:07,905
The ceiling is too low.
479
00:35:07,906 --> 00:35:09,820
But it's the ceiling you drew.
480
00:35:09,821 --> 00:35:12,911
I... I know I drew it,
but I drew it wrong.
481
00:35:12,912 --> 00:35:15,652
It's too low. If the apostles were to
stand, they'd bump their heads.
482
00:35:15,653 --> 00:35:19,222
Leonardo, the ceiling may be
too low, but it's a painting.
483
00:35:19,223 --> 00:35:21,268
None of them will stand. It's...
484
00:35:21,269 --> 00:35:22,520
It looks fine.
485
00:35:24,141 --> 00:35:26,273
Is that what you think we're here to do?
486
00:35:26,274 --> 00:35:28,451
Make things look fine?
Make them look adequate?
487
00:35:29,973 --> 00:35:31,105
No one will notice.
488
00:35:31,106 --> 00:35:33,542
[SHOUTING] I will notice!
489
00:35:33,543 --> 00:35:35,544
It will torture me
every time I look at it!
490
00:35:35,545 --> 00:35:37,214
Now that I've seen it,
I can't un-see it!
491
00:35:39,984 --> 00:35:41,236
Did none of you notice?
492
00:35:45,208 --> 00:35:46,861
No? Nobody?
493
00:35:50,561 --> 00:35:51,812
None of you care?
494
00:36:04,575 --> 00:36:07,405
"I say to you, one of
you shall betray me."
495
00:36:09,059 --> 00:36:11,364
LEONARDO: "Dearest Caterina,
496
00:36:11,365 --> 00:36:13,889
"I can no longer face the others."
497
00:36:13,890 --> 00:36:16,240
"I felt as if I'd fallen
into a black hole."
498
00:36:17,458 --> 00:36:19,418
"My worst fears realized."
499
00:36:21,506 --> 00:36:25,206
"The fresco, like the horse,
was yet another folly."
500
00:36:27,556 --> 00:36:30,516
"I wanted to be erased, to disappear."
501
00:36:35,042 --> 00:36:36,565
[SPEAKING INDISTINCTLY]
502
00:36:36,566 --> 00:36:37,817
GIACOMO: Well?
503
00:36:39,047 --> 00:36:40,743
We've looked everywhere.
No one's seen him.
504
00:36:40,744 --> 00:36:42,355
He can't have just vanished.
505
00:36:42,356 --> 00:36:45,662
What are we going to do
tomorrow? The men are asking.
506
00:37:15,520 --> 00:37:16,772
[HORSE WHINNYING]
507
00:37:20,046 --> 00:37:21,298
[HORSES GALLOPING]
508
00:37:36,413 --> 00:37:37,665
How did you find me?
509
00:37:39,720 --> 00:37:41,244
There are no secrets in Milan.
510
00:37:43,028 --> 00:37:45,421
At least, not from me.
511
00:37:45,422 --> 00:37:48,252
I'm sorry, Your Lordship, I
haven't completed the fresco yet.
512
00:37:50,254 --> 00:37:51,505
You're afraid.
513
00:37:53,039 --> 00:37:54,300
You said fear was good for artists.
514
00:37:54,301 --> 00:37:55,824
I said a little fear.
515
00:37:57,478 --> 00:37:58,730
I made an error.
516
00:38:01,352 --> 00:38:02,787
If I'm to fix it, it could take weeks.
517
00:38:02,788 --> 00:38:04,040
[LAUGHING]
518
00:38:06,096 --> 00:38:07,706
Is that all?
519
00:38:07,707 --> 00:38:10,579
Do you know how many times great
men fail before they succeed?
520
00:38:15,629 --> 00:38:17,413
I heard about your speech.
521
00:38:18,806 --> 00:38:21,069
How art invests the artist
522
00:38:22,113 --> 00:38:24,507
and his patron, with immortality.
523
00:38:25,334 --> 00:38:26,596
Great art, yes.
524
00:38:27,729 --> 00:38:29,121
I demand nothing less.
525
00:38:32,342 --> 00:38:33,593
For my beloved wife.
526
00:38:35,780 --> 00:38:37,032
And for me.
527
00:38:41,351 --> 00:38:42,602
You don't have much time.
528
00:38:45,573 --> 00:38:46,661
What are you talking about?
529
00:38:46,662 --> 00:38:48,619
My grasp on power is
530
00:38:50,013 --> 00:38:51,754
[SCOFFS] tenuous.
531
00:38:54,844 --> 00:38:56,976
But the celebration, you...
532
00:38:56,977 --> 00:38:58,151
You defeated the French.
533
00:38:58,152 --> 00:38:59,891
The taxes that paid for that victory
534
00:38:59,892 --> 00:39:02,504
have turned the people against me.
535
00:39:02,505 --> 00:39:05,174
Meanwhile, the French have formed
an alliance with the Venetians.
536
00:39:05,812 --> 00:39:07,073
It's only a matter of time
537
00:39:07,074 --> 00:39:08,326
before they strike again.
538
00:39:24,832 --> 00:39:26,355
Where is everyone?
539
00:39:26,356 --> 00:39:28,139
Leonardo. They're gone.
540
00:39:28,140 --> 00:39:29,749
We need to send a messenger,
get them back now.
541
00:39:29,750 --> 00:39:31,002
Right away.
542
00:39:33,320 --> 00:39:34,571
[BREATHES DEEPLY]
543
00:40:00,001 --> 00:40:01,252
We begin again.
544
00:41:30,923 --> 00:41:32,175
[WINCES]
545
00:41:34,188 --> 00:41:35,440
Oh, my God.
546
00:41:36,146 --> 00:41:37,397
Oh, my God!
547
00:41:40,586 --> 00:41:42,414
MARCO: Giulio! Come
and help me with this.
548
00:41:46,897 --> 00:41:48,149
You can't be in here.
549
00:41:56,778 --> 00:41:58,029
[BREATHES DEEPLY]
550
00:41:59,302 --> 00:42:00,553
What do you think?
551
00:42:11,794 --> 00:42:15,058
GIULIO: [SHOUTING] Leonardo! Leonardo!
552
00:42:27,550 --> 00:42:28,801
His throat has been cut.
553
00:42:29,595 --> 00:42:32,641
- Who did this?
- French colors.
554
00:42:32,642 --> 00:42:35,818
It's a message, designed
to frighten Sforza loyalists.
555
00:42:35,819 --> 00:42:37,560
They dare not kill Leonardo,
556
00:42:37,561 --> 00:42:39,388
but this is a message
for the rest of you.
557
00:42:41,173 --> 00:42:42,521
We're not safe here.
558
00:42:43,044 --> 00:42:44,740
We'll be safe.
559
00:42:44,742 --> 00:42:46,612
How can you say that?
560
00:42:46,613 --> 00:42:49,963
Salai, inform Sanseverino we need
guards posted outside the convent.
561
00:42:49,964 --> 00:42:51,215
Right away.
562
00:42:52,272 --> 00:42:56,013
- Leonardo, we must...
- The work continues.
563
00:42:56,014 --> 00:42:58,452
No one leaves here. You understand?
564
00:43:06,591 --> 00:43:07,842
The work continues.
565
00:43:49,114 --> 00:43:51,160
[PEOPLE SCREAMING]
566
00:44:08,439 --> 00:44:09,657
He's not here.
567
00:44:09,659 --> 00:44:11,137
Then he's at the convent.
568
00:44:35,990 --> 00:44:37,241
Leonardo da Vinci?
569
00:44:37,427 --> 00:44:38,513
Yes.
570
00:44:38,514 --> 00:44:40,516
The tyrant Ludovico has fled
571
00:44:40,517 --> 00:44:43,998
and Milan is now under
the control of Louis XII.
572
00:44:43,999 --> 00:44:46,914
He orders me to cut
this fresco from the wall
573
00:44:46,915 --> 00:44:48,742
and bring it to him in France.
574
00:44:48,744 --> 00:44:51,615
You do that, and you will destroy it.
575
00:44:51,616 --> 00:44:53,618
I said he gave me orders,
576
00:44:53,619 --> 00:44:55,663
not that I intend to follow them.
577
00:44:55,664 --> 00:44:57,623
You will remain here
with your men, Ramiro.
578
00:44:58,536 --> 00:45:00,799
Make sure Maestro Leonardo
579
00:45:00,800 --> 00:45:03,367
is free to complete
his work undisturbed.
580
00:45:07,023 --> 00:45:08,275
Why are you doing this?
581
00:45:09,374 --> 00:45:11,459
Because I want you to know
to whom you're indebted.
582
00:45:12,813 --> 00:45:14,466
I am Cesare Borgia.
583
00:45:21,082 --> 00:45:22,735
TOMMASO: So, Leonardo,
584
00:45:22,736 --> 00:45:24,652
the painting is safe at last.
585
00:45:26,653 --> 00:45:27,827
So it seems.
586
00:45:27,828 --> 00:45:29,080
And that means I can go now.
587
00:45:29,831 --> 00:45:31,048
Tommaso?
588
00:45:31,049 --> 00:45:32,397
Caterina knew better.
589
00:45:32,398 --> 00:45:33,660
Leaving you when she did.
590
00:45:33,661 --> 00:45:34,749
What are you talking about?
591
00:45:34,750 --> 00:45:36,488
You put our lives in danger.
592
00:45:36,489 --> 00:45:38,404
And for what? For what?
593
00:45:38,405 --> 00:45:39,885
For some paint on a wall?
594
00:45:41,278 --> 00:45:43,628
Marco's dead because of you.
595
00:45:45,499 --> 00:45:47,196
Tommaso, that's not fair.
596
00:45:47,197 --> 00:45:48,546
Of course you defend him.
597
00:45:49,287 --> 00:45:51,288
His friend.
598
00:45:51,289 --> 00:45:53,812
The great artist. He said so.
599
00:45:55,248 --> 00:45:57,207
And it's way more than
he's ever said to me.
600
00:45:57,208 --> 00:46:00,427
You said you wanted to create
a masterpiece, and look.
601
00:46:00,428 --> 00:46:01,779
[SCOFFS] A masterpiece?
602
00:46:02,822 --> 00:46:04,867
I have news for you, Leonardo.
603
00:46:04,868 --> 00:46:06,739
This paint will decay.
604
00:46:07,784 --> 00:46:10,003
Your masterpiece will not survive.
605
00:46:11,789 --> 00:46:13,266
So much for immortality.
606
00:46:13,267 --> 00:46:16,140
Tommaso, I understand you're
upset. But listen to me...
607
00:46:16,141 --> 00:46:18,403
You speak of betrayal.
608
00:46:18,404 --> 00:46:20,275
When it's you who's the betrayer.
609
00:46:22,626 --> 00:46:23,877
You're the Judas.
610
00:46:29,024 --> 00:46:30,276
Are you coming?
611
00:46:39,861 --> 00:46:41,113
Let's go.
612
00:46:59,709 --> 00:47:01,276
STEFANO: Tommaso's words cut you.
613
00:47:02,625 --> 00:47:03,887
Because they were true.
614
00:47:06,063 --> 00:47:07,849
You would have killed for your art.
615
00:47:10,242 --> 00:47:11,896
But I did not kill Caterina.
616
00:47:21,515 --> 00:47:23,473
Do you regret painting The Last Supper?
617
00:47:29,786 --> 00:47:31,787
I regret the sacrifices I demanded.
618
00:47:33,963 --> 00:47:35,269
The pain I inflicted.
619
00:47:36,705 --> 00:47:39,228
But not the fresco itself?
620
00:47:39,229 --> 00:47:41,057
It's only a short walk from here.
621
00:47:43,800 --> 00:47:45,758
You tell me how I should
answer the question.
622
00:48:04,430 --> 00:48:05,682
[DOOR CLOSING]
623
00:48:21,928 --> 00:48:23,179
[BREATH TREMBLING]
624
00:49:10,282 --> 00:49:16,282
sync and corrections by awaqeded
www.addic7ed.com.