You just name one really good death.
Previously on Smash...
I'm not the star anymore, am I?
Guess you should've slept with Derek when you had the chance.
I got you something.
It's the only project for us. I knew you'd agree.
I cannot wait to see what he's gonna do
with City of Angels.
Right now, what I care about is directing.
♪ I've been a puppet
♪ a pauper, a pirate, a poet ♪
Let's go to Broadway.
Gatsby would've made me happy.
Then do Gatsby.
Nothing Jimmy has ever said has checked out.
I wasn't a good person, but ever since I met you,
that's all I want to be.
Hey, hey, it's time for you to leave.
You scare me, Jimmy.
You asked to get to know me,
and now you're walking away, of course!
Sync and corrected by dr.jackson for www.addic7ed.com
Once a year, Broadway opens its generous arms
to musical theater students all over the country.
They fly here to New York, they see shows at night,
and during the day, they take master classes
with actual Broadway performers.
Today we've asked Ivy Lynn and the cast of Bombshell
to teach these eager students how to do
"the 20th Century Fox mambo." Rah!
And that's why I'm all dressed like this.
Hey, Ivy, girl.
What a whirlwind you have been on.
You did four shows over the weekend,
and you flew out to Los Angeles,
did Leno last night, got on the red-eye,
and here you are with us today on the Today Show.
It must be exhausting.
No, it's exhilarating, kathie Lee.
Great.
Are you ready to mambo with me?
- I'm ready, girl. Let's do it. - All right.
Okay, kids, watch how it's done.
♪ In this factory where dreams can come true ♪
♪ are you ready to make someone new? ♪
♪ You're the team that must teach me to do ♪
♪ the 20th Century Fox mambo ♪
♪ done the homework and I'll pass the test ♪
♪ I'll do whatever my teachers suggest ♪
♪ I can do it clothed or undressed ♪
♪ the 20th Century Fox mambo ♪
♪ make it up, shake it up
♪ Let the fantasies begin
here's the dope.
♪ To get cast, change the past ♪
♪ make the light just right for sin... ♪
♪ emascope
- ♪ take a gamble - Where's Julia?
It's not like her to miss out on something like this.
I left her a message.
♪ The 20th Century Fox
I thought you two were living together.
She moved out last week.
What? That was always the plan.
She found a really cute place.
We're totally fine.
I think you and Julia should probably be planning
your next project together,
after she's finished writing on Gatsby.
What? Gatsby?
I'm sorry. You didn't know?
Scott Nichols announced it to his board
just earlier this week.
♪ When we're finished ♪ ♪ he'll never forget ♪
♪ The 20th Century Fox
A little to your left, Ana.
Yep.
Just loosen up. Just let go.
You don't... you don't really want to kill her.
You know? It's all in fun.
- So you're still seeing him? - Yes, I am.
Adam's funny. He makes me laugh.
Okay, we are all set with these two.
Now I need the guy.
He was supposed to be here two hours ago.
Yeah...
I'm sure he'll be here any minute, Patrick.
You know he left in his costume last night.
You know, Rudin's called me twice already this morning.
He's practically writing a check
to move Hit lis t to Broadway,
and he hasn't even seen it yet.
Well, let him Duke it out with the ten other producers
that are coming.
That was a great idea, having them come on the same night.
Yep, Daryl Roth, David Stone, Kevin McCollum.
Tell you what, if a bomb goes off tonight,
Broadway as we know it will probably cease to exist.
Derek, we need your help.
Where's Jimmy?
I left him a bunch of messages.
I'm sure he just has the wrong time.
They told me they'd pull the cover
if we didn't have him here.
It's obviously some adolescent cry for help,
which I do not have time for.
He's just under a lot of pressure.
Is he? Poor baby. Well, so am I.
If he keeps this up, he's not gonna see out the run.
Just get him here now.
Do you know where he is?
He didn't come home last night.
Did you have fun?
Yeah!
High fives! Good job.
Chop chop, Ivy.
You don't want to be late for your signing
at the Macy's sweater sale.
You've got Agnes.
So you've got the matinee
and then you have the interview.
Tonight's show, and then my own bed, my DVR,
and the entire season of girl that I missed.
Wait, wait, wait, you forgot about Broadway talks back.
My God, the Tom and Julia Q&Q.
Moderated by their star, Ivy Lynn.
Don't worry, you'll make half-hour before performance.
Marisa Tomei broke her leg.
Which means...
Moonstruck won't be going to Broadway this season.
Imitation of life is D.O.A.
The Lloyd Webber just posted their closing notice.
So if we stay open till June,
that Tony is ours.
That may be harder than we thought.
Advance sales aren't what they should be.
We haven't gone a day without being
on the T.K.T.S. board since we opened.
Well, what about we launch a new radio campaign?
Not unless you have a sugar daddy I'm not aware of.
Well, you'd better pray for a miracle, then,
'cause we're gonna need one to stay open till June.
So I started writing.
And it just flowed.
And I just lost track of time.
Please stop making excuses and just tell me
what you're doing with Gatsby.
Obviously, I'm not doing it as a musical.
I'm writing a play.
Gatsby is our dream project.
We've been talking about it for a decade.
Which is why I bought it and wrapped it up
in a bow for you.
You said you didn't want it.
I wanted it.
I just didn't want it right at that second.
I thought I'd be tied up directing for six months.
But then that never came through.
I'm sorry about that.
But I've already set things in motion.
I spoke with the estate. I promised it to Scott.
Well, now you can un-promise it
and start working on it with me,
your partner.
See you tonight?
- Patrick, where are you going? - I waited three hours.
Your boy's not coming.
No, wait, he's... He's coming right now.
He's on his way. It'll be an inside spread now.
But that's still great, Derek.
- No. - All right, all right.
Can somebody help us?
Nice.
Bye.
Hey.
What'd I miss?
No?
Hit it.
Hey!
Just when I thought my day couldn't get any better.
- Hi. - Hi.
Look at this.
It's a guest list for tonight.
It's like the who's who of American theater.
That's so great.
And I just finished reading
the most amazing opening scene
of this new play I'm producing.
It's based on The Great Gatsby,
and its writer is going to win a Tony for it someday.
Scott...
I can't stop thinking about it.
I mean, it's not just an adaptation.
It stands on its own.
If you keep this up,
people are gonna be doing your version
for years to come.
I screwed up.
Tom doesn't want to let go of Gatsby.
He wants to do it with me.
Of course he does.
I'm so sorry.
I know I said that I wouldn't break
another promise to you, and now here I am
doing just that.
You gave Tom the choice to do Gatsby.
He said no.
He and I have a history with the project.
It's complicated.
No, it's simple.
He lost his directing gig.
Now he's scrambling.
Julia, you said that we would work on this together.
I told my board.
I know.
Let me tell you something you don't know.
In order to make Hit List everything it needs to be,
I spent some of the reserves of next season's budget on it.
If it doesn't transfer to Broadway,
I have to follow up with a homerun,
like Gatsby,
or I am out.
Hello, stranger.
Feel like I see you on TV
more than I do in real life.
Might almost believe you were avoiding my calls.
Of course not.
I'm just really busy right now.
Ticket sales haven't been as good as Eileen had hoped,
so she's pimping me out wherever she can.
Okay.
Why don't I come by after the show?
I can get you off the streets for a night.
Can't.
I'm moderating a Q&A for Tom and Julia at table 46.
Fair enough.
How about tomorrow?
Group sales event.
Okay. Friday?
Listen, Derek, can I call you back?
I have a phone interview that's about to start.
Bye.
Where'd you go last night?
I don't know.
There was a lot of tequila involved.
I hope it was worth it, because you just lost us
the cover of New York Magazine.
You better get it together, or seriously...
What? Or what?
The show's gonna close?
The run is sold out, Kyle. Come on.
How's he doing?
He's detoxing. I hope.
Let me know if you need any help.
- Thanks. - I'm right here.
Are you guys still together?
Of course.
I thought for sure you'd have told him
about your little affair by now.
Shut up.
I should've never told you about Tom.
Hey, hey, there's no shame.
I was drunk and star-struck.
What, the first time.
What about the other two you told me about?
Well, he's pretty great...
Hey, is this where the auditions
for Jesse are happening?
♪ There's a block on the edge of this town ♪
♪ no one talks about
♪ where the train doesn't stop ♪
♪ and the kids know they're not getting out ♪
♪ you live in a loop of smokes on the stoop ♪
♪ counting the coins you got ♪
♪ you work at a bar where all that you are ♪
♪ is everything
♪ you're not
What the hell, Derek?
Excuse me. This is a private audition.
For my part?
No, for your understudy, genius.
Been seeing people all week.
You'd know that if you were ever here.
This is Sam Strickland.
He was in the ensemble of Bombshell.
Well, then, he should probably audition for the ensemble
of Hit List and not my part.
Well, guess what? That's not your call.
Sam's a great talent.
He just hasn't found the right role yet.
I know that you're a visionary, Derek,
but I think you're losing your touch.
Get him out of here, please, Kyle.
No, don't worry. I'm leaving.
I... my buzz just wore off.
- Bye-bye. - Jimmy...
So now you see why we're looking for his understudy.
Yeah, so what do you want to do?
You want me to start again, or...
Just take a minute.
We'll go from the top.
I'm sorry about that.
No, don't worry about it.
Don't worry about it. Okay.
I'll be right back.
What a jackass.
Adam was right.
I just don't want the show to get screwed up
just because I broke up with him.
It won't.
And look, even if it does, that's not on you.
Yes, it is.
She begged him to open up to her for months,
and when he finally did,
she didn't like what she heard and bailed.
And then she brought her friend in to audition for his part.
That's not exactly how that happened.
Yeah, actually, it is.
And since I seem to be the only one
who really cares about him,
I'm gonna go make sure he's okay.
Whatever.
Yes, we'd be absolutely delighted to do a performance
at the Brighton Beach Senior Center.
On Monday at 11:00 good for you?
Excellent.
Terrific. Thanks. Bye.
What's going on?
Did you know half my producer clients
are going to see Hit List tonight?
Well, good for them.
It seems M.T.W. is trying
to move the show to Broadway this season.
Well, from what I saw at the winter benefit,
I wouldn't have said that the show was big enough
for a Broadway transfer.
Well, apparently, they've made some changes.
Just like that, you have competition.
And what would you like me to do with that information?
I'd like you to get us two tickets
so we can see what kind of threat
we have on our hands.
I'm sorry, but that's a pass.
Eileen, everybody's looking for their next project.
Maybe you should too.
What did you think, Jimmy?
You'd just go A.W.O.L. for a week, and nothing would happen?
Well, I was a little late a couple times.
I'm sorry.
I don't see why everyone's making such a big deal about it.
People are coming tonight
who could bring this show to Broadway.
Our show.
It's what we always wanted.
Doesn't that mean anything to you anymore?
Don't blow everything up
just because somebody broke your heart.
This sounds stupid, but it's...
I don't know, I...
I thought maybe she was the one.
I'm not really sure there is a one.
Says the guy who just cheated on his boyfriend.
I hate you.
No, you don't. I keep you honest.
Look, my parents are coming tonight.
We're taking Blake to dinner before the show.
They would love to see you.
You want to come?
Sure, what time?
All right, children.
Okay, good news and bad news.
The good news is I found your understudy.
So next time you go on a bender,
the show won't suffer.
No, only the audience.
Yeah, and the bad news...
I have finally lost my sense of humor.
This is the biggest night in Hit List's life.
All right?
It's bigger than critic previews.
It's bigger than opening night.
And if you don't pull it off, sunshine,
Sam Strickland is not gonna be your understudy tomorrow.
He's gonna be your replacement.
My God, look at that! "Book by Kyle Bishop."
- Mom. - Hey... sorry.
I just wanted to say I'm a big fan.
I've seen the show like three times.
- Thank you so much. - You want his autograph?
- Mom. - You want mine, then?
- I'm his mother. - My God.
Will you please make it stop?
What? You should be enjoying this.
Look at all these people lined up for your show.
That's what I keep telling him.
We are so proud of you.
It's such a big achievement.
Well, it's not just mine.
You should be proud of Jimmy too.
Well, of course we're proud of him.
I wish he would have come out with us so I could've told him.
Wanna see if he's shown up yet?
- Is he using again? - Marie!
- Mom, please. - It's a fair question.
Look, you know we love him,
but this is your moment, honey.
I just want you to make sure you really take it.
I am.
So? How did Scott take it?
He didn't have to.
I'm doing Gatsby with him in the fall.
I made a promise. I'm not gonna break it.
What about your promise to me,
your commitment to me?
I am totally committed to you.
I will make you the priority.
Anything that you want to do with me comes first.
I'll work on Gatsby in my spare time.
We're supposed to work on everything together.
That's what a partnership is.
So if you had gotten City of Angels,
I would've directed it too?
We didn't direct Bombshell together.
And that was a problem, apparently.
How was it a problem? I was totally behind you.
Why wouldn't you do the same for me?
It's one play.
One play you optioned in our company name.
Legally, that makes it half mine.
Hey, guys.
Packed house in here. You ready?
Hey, Daryl. Good to see you.
Hi.
- Hey, Daryl. - Hi, Kev.
I didn't know you would be here.
- Well, yes. How are you? - Good.
Yeah, I thought you two could arm wrestle a bit during intermission.
Winner takes the show to Broadway.
Kevin's been working it.
It's 10 till. What do you want me to do?
We'll have to cancel.
No, please, give him five more minutes.
You're late.
If we were on Broadway, you'd get a fine.
But we're not, are we?
Not yet.
You gonna get out of my way so I can go get dressed?
I'd love to.
Jimmy, it's places.
Yeah, ready.
I thought you said there was no way in hell
Eileen Rand would ever produce this show on Broadway.
There isn't.
What's she doing here?
Ladies and gentlemen,
we'd like to take this opportunity
to remind you that the use of cell phones
and other recording devices is not only permitted,
but encouraged.
Record the show in its entirety for all we care.
We don't own it any more than you do.
♪ And now I'm falling
♪ baby, through the sky
♪ through the sky
♪ I'm falling, baby
♪ through the sky
Where is he?
♪ There's a block on the edge of this town ♪
♪ no one talks about
♪ where the train doesn't stop ♪
♪ and the kids know they're not getting out ♪
♪ you live in a loop of smokes on the stoop ♪
♪ counting the coins you got ♪
♪ you work at a bar where all that you are ♪
♪ is everything you're not
Rodgers and Hammerstein.
Lerner and Loewe.
Kander and Ebb.
Houston and Levitt.
You two have one of the longest,
most celebrated writing partnerships on Broadway.
It must be like a marriage.
- It is. - Yeah.
With peaks and valleys.
Deep, deep valleys.
Tell us, what does it take to keep your marriage alive?
Work.
Hard work.
And communication.
And the ability to put someone else's needs
before your own.
And the ability to put the partnership
above everything else.
Okay. Let's talk about process.
Say you're writing a song, and you disagree on a lyric.
How do you decide who gets their way?
We never really disagree on lyrics.
No. Because she writes them.
Well, what about a story point or characters?
I personally know that Marilyn's mother, Gladys,
came in and out of the story several times
before you made a decision.
Well, then we talk about it
until we're both comfortable with the answer.
Or Julia gets her way.
Or Tom acts passive-aggressive until he gets his way.
Or Julia makes a decision without telling me,
and I find out about it later.
Or Tom calls his lawyer.
Okay.
Let's open it up for some questions.
Yes, you, sir.
What are you doing next?
We're doing The Great Gatsby.
No. No, we're not.
What he meant to say is I am, as a play,
at Manhattan theatre workshop,
with Scott Nichols directing.
So you're not working together anymore.
- Well, of course we are. - No.
We're not.
♪ I wish I never knew you
♪ love
♪ I wish you were a bad girl ♪
♪ I wish I never knew you
♪ love
♪ why is this pain so
♪ unforgettable
Sorry I couldn't make it back here all day.
Have you written anything?
I started working on something,
but it's still in process, you know.
Okay.
Let's hear what you got.
♪ I wish you were a bad man ♪
You wanna try?
Yeah, okay.
Ready?
♪ I wish you were a bad man ♪
♪ I wish you made it easier
♪ I wish you'd done something ♪
♪ unforgivable
♪ 'cause holding on to you
♪ is all that I can do until I learn ♪
♪ the hands around the throat are my own ♪
♪ don't let me know
♪ if it hurts
♪ if it hurts you
♪ I don't want to be
♪ your friend that you turn to ♪
♪ that you won't pull me close ♪
♪ but you can't let me go ♪
♪ don't let me know
♪ I wish I'd never met you
♪ now I gotta forget again
♪ I wish you didn't know me
♪ so damn well
♪ don't tell me that you're scared ♪
♪ every time
He's not supposed to walk away.
It's not anything I think the audience will notice.
I notice.
♪ Oh, don't let me know
♪ if it hurts
♪ if it hurts you
♪ I don't want to be
♪ your friend that you turn to ♪
♪ that you won't pull me close ♪
♪ but you can't let go
♪ don't let me know
♪ if you think there's a chance ♪
♪ you could fall again
What's going on?
Now what's he doing in the middle of the dancers?
♪ Stop loving me
♪ don't let me know
♪ if it hurts, if it hurts you ♪
♪ I don't want to be
♪ your friend that you turn to ♪
♪ that you won't pull me close ♪
♪ but you can't let go
♪ don't let me know
♪ don't let me
♪ know
Did you mean what you said in there?
That the partnership's over?
If you were being honest,
you know that's what you think too.
That couldn't be further from the truth.
Come on.
Clearly you've been unhappy with me.
You've been auditioning new partners all year.
First it was Peter. Now it's Scott.
Jimmy, Kyle.
You told me last week
that all you want to do is direct.
Look, maybe we're just going in different directions.
Or maybe this partnership only works
when it's all about you.
I spent the last six months taking care of you
after you dropped the ball in Boston
and your marriage fell apart.
But the moment I get something I want,
you can't even wait six months for me.
You didn't ask me to wait.
I didn't ask you to take care of me, either.
But I am asking that you be okay with me doing this.
Tom, I love it.
It is the first thing that has really made me happy
in years.
Thank you so much.
We have our answer.
That's not what I meant.
Yes, it is.
♪ It's my calling
♪ baby, don't you cry
♪ don't you cry
♪ I'm falling down through the sky ♪
♪ and I refuse to go
Now what is he doing?
He's usually down left with Gabe and Lexi.
Why didn't he catch her?
I'm sorry, Karen. I'm so sorry.
I got you. I got you. You all right?
Karen? Karen? I'm so sorry. I totally screwed up.
Are you okay? My God, your arm.
You don't get to ask me how I am right now.
You all right?
I'm fine. It's just a scratch.
It was a mistake. That is all.
You went on stage high.
You compromised Karen's safety,
and you jeopardized the entire bloody show.
Good work.
Karen, I'm so sorry. You have to believe me.
Places, last number!
Crap.
♪ The time
♪ has
♪ come
♪ you're flying
♪ away
♪ mouth
♪ is
♪ numb
♪ I don't know
♪ what to say
♪ and although
♪ you'll be out of sight, dear ♪
♪ know I'll be right here
♪ right here forever
♪ ever, ever, ever
♪ when you look to the night skies ♪
♪ don't think of good-byes
♪ think how I'm right here
♪ ever, ever, ever
♪ come
♪ no, I can't come with you
♪ stay
♪ I wish I could
♪ good-bye
♪ I know it's hard to say ♪
♪ Come
♪ no, you can't come with me ♪
♪ Stay
♪ I wish I could
♪ Good-bye
♪ I know it's hard to say ♪
♪ ouch
♪ I know it hurts to say ♪
♪ I'd stay if I could
♪ but the universe
♪ won't let me
♪ so please be good
♪ and don't you forget me
♪ And although
♪ I'll be out of sight, dear
♪ know I'll be right here
♪ right here forever
♪ ever, ever, ever
♪ and when you
♪ when you look to the night skies ♪
♪ don't think of good-byes
♪ think how I'm right here
♪ ever, ever, ever
♪ ever, ever, ever, ever
Let's go.
Give me a minute.
You should go and get this checked out tonight.
- It could be a sprain. - I'm fine.
Karen, I am so sorry. He's totally out of control.
What you just saw was Jimmy's last performance.
I don't want him around here
if he can't get himself together,
and I very much doubt that's possible.
What about the show?
We'll shut down for a couple of days,
give Sam a chance to get ready.
Just let me be the one to tell him.
Okay. Go on, then.
Okay.
So what did you think?
I don't know. What do you think?
High energy.
Very talented.
- Yes, yes. - I don't know.
It seemed a little cult-y,
like... like Hedwig or Rocky horror.
It's a little edgy.
Yeah, but Rent, Avenue Q...
You know I love edge.
There's edge, and then there's cliff.
I don't see it.
Here they are, the producers.
Hey.
Who's up for a drink? I'm buying.
You were so good tonight honey,
Don't let me know sent chills down my spine.
Thank you.
Yeah, if you could just sign this to the cohens...
Okay, wait, let me get this straight.
So when you're doing those spins,
you don't have anything holding you up?
- No. - I'll be darned.
Not one bite? You did tell them
we've got Jimmy's replacement lined up?
They loved him.
They think the show's too "dark"
for an uptown crowd.
You've gotta be kidding me. I'll try Arlene.
All right!
Now the party can begin!
Hey, how you doing, man?
Hey!
Are you proud of yourself?
Well, you said do a good job, and I did.
I was on fire.
No, you were high.
And you hurt Karen and freaked everybody out,
and now Derek and Scott are gonna fire you.
No. No. Can't do that.
Yes, they can. They already did.
Sam's going on as soon as he can get off book.
And what did you say, Kyle?
I told them that it was the right thing to do.
You took their side.
Jimmy, I have been on your side my entire life.
I've stood up for you when nobody else would.
I was the one who got you out of the situation with Adam.
If it wasn't for me, you'd probably be dead
in a gutter somewhere.
I have to stop helping you.
You have to start helping yourself.
Right.
Hey, all right, listen up!
Everybody!
Hey!
Okay, look.
I just want to say
that it turns out
tonight was my final performance of Hit List.
I mean, yeah, yeah. Apparently...
Apparently, the "creative team" has decided
that... that they no longer require my services,
and when I say "creative team,"
I mean that term, like, very loosely,
seeing as I'm the only one that did anything
anyway, right?
I would like to thank Karen,
Karen Cartwright,
for bringing this show to life
by stringing along its director
and for believing me as an actor so much
that she engineered my replacement,
which made perfect sense, considering that real emotion,
on stage or off, is way too scary for her.
I would also like to thank, Kyle,
Kyle Bishop, my lifelong friend and writing partner,
for his unwavering loyalty
throughout this entire process.
Wait, did I say loyalty?
I mean for screwing me the second he had the chance.
For the record, Blake,
Kyle was also screwing Tom Levitt last week.
You might want to check in with him about that.
I mean, I know you guys make different rules...
Get off the bar.
Okay.
You are stronger than you look.
- Blake, please come back. - Don't talk to me.
What is the matter with you? Karen and Kyle?
You could not find two better friends.
They have done nothing but love you.
Well, yes.
But only one of them is in love with me,
and it is not the one that I wanted.
Are you okay?
- Ana, thank you, I... - Don't worry about it.
I have to tell Jimmy how messed up that was.
I have to go talk to him. No, you don't.
He'll just apologize
and say all the right things, like he always does.
And nothing will ever change.
You're right.
God, I should just cut him off, you know?
Do you think you can do that?
I'll do it tomorrow, when he's sober
and when I've had a chance to calm down.
No, you don't wait until tomorrow.
If you wait until then, you'll lose your courage.
Do it now.
Thank you, Karen.
You're right.
You know
how most producers are... Taste doesn't motivate them.
Money does, and they just didn't see the money.
What about you?
Taste is what you're known for, after all.
I loved the show.
I didn't want to, but I did.
But you're not gonna move it.
I can't. I don't have the money.
And even if I did,
I can't bet against myself this year.
Come on, people do it all the time.
Listen, your show is beautiful,
and it's moving, but people are right.
It's a hard sell, and it's a risk
I just can't afford to take.
- Okay. - I'm sorry, Derek.
I know how much you put into this.
- Thanks, darling. - Okay.
I'm going to have to call Tom, Agnes,
ask him and Julia to reduce their royalties,
'cause otherwise, I just don't see any way
we're gonna get to the Tonys.
Today's sales are up 7%.
Looks like tomorrow's are even better.
Guess all that publicity paid off after all.
So maybe we hold off on that call.
Especially since the competition is dead.
Coming up next...
Okay.
Question.
What do you think it means if a woman
you thought you were seeing
and you've called five times in a day
doesn't answer the phone?
Goodness.
She's probably on the other line
getting a restraining order.
That's very funny.
I'm sorry about tonight.
It's not your fault.
I don't mean about Jimmy. I mean the show.
I can't believe they all passed.
Yeah.
I know how much you wanted it to move.
So did I.
You know what's weird?
It never occurred to me
that it wasn't gonna get to Broadway.
We'll find something else.
I don't want something else.
You want another drink?
Yeah, I think if I have another drink,
I might do something I regret in the morning.
Two more, please.
♪ This is our last good-bye ♪
♪ I hate to feel the love between us die ♪
♪ but it's over
♪ just hear this and then I'll go ♪
♪ you gave me more to live for ♪
♪ more than you'll ever know ♪
♪ well, this is our last embrace ♪
♪ must I dream and always see your face? ♪
♪ Why can't we overcome this wall? ♪
♪ Maybe it's just because
♪ I didn't know you at all
♪ kiss me
♪ please kiss me
♪ kiss me out of desire, baby ♪
♪ no consolation
♪ oh, you know it makes me so angry ♪
♪ 'cause I know that in time ♪
♪ I'll only make you cry
♪ this is our last good-bye
Good night.
Are you gonna walk me home, or what?
Okay.
♪ Did you say no
It's for you.
♪ This can't happen to me?
♪ Did you rush to the phone to call? ♪
♪ Was there a voice unkind
♪ at the back of your mind
♪ saying maybe
♪ you didn't know him at all? ♪
♪ You didn't know him at all
♪ oh, you didn't know
♪ it's over
Sync and corrected by dr.jackson for www.addic7ed.com