Previously on Smash...
Another good girl role for Broadway's sweetheart.
We're doing a revival of The Wiz after I finish with you.
They're letting you go.
Just because I shagged a couple of actresses?
I want to do a one-night-only show.
It's time I show everyone what I'm capable of.
There's someone I want you to meet.
He's a professional dramaturg.
- He's a parasite! - Hi, I'm Peter.
He wants to change everything.
Someone tipped off the government
about the money I've been using to finance the show.
Meet with them. Let them explain their vision to you.
New musicals take years to develop.
Derek Wills directing our show?
You only get one shot with a guy like Derek.
One shot's all we need.
♪ I got
♪ love
♪ I got love
♪ I got love, love, love, love, love, love, love, love, love ♪
♪ I got love
- bye. - Bye.
♪ Sweeter than a flower
♪ growing by the hour 'cause I got love ♪
♪ every time I'm with him ♪
♪ I know that I'm a lucky girl ♪
♪ for the first time in my life ♪
♪ I'm someone in this world ♪
Who are we missing?
Beth. I'll call again.
♪ I can't lose, no, no, no more ♪
♪ got a jar of honey
♪ 'cause every day is sunny ♪
♪ 'cause I got love
♪ I got love
♪ I got love, love, love, love ♪
♪ I got
♪ love
[cheers and applause]
Thank you.
How many "loves" was that?
You can never have enough love.
You of all people ought to know that
after what I've read.
You must be Ronnie's mother.
Cynthia Moore. Nice to meet you.
Isn't she a little old to have a momager?
Baby, you're looking good up there!
Stop it.
- Hey, mom. - Ronnie...
I got love, that's...
That's not really what we're talking about, is it?
It's my signature number.
Yeah, you've been doing it for ten years.
We're trying to change your image, remember?
You know, the bold, adult Ronnie Moore.
As opposed to what?
The Ronnie Moore that won two Tony awards
and sold out this concert in six hours?
Yeah, with my name above the title.
Your name is why it took six instead of one.
How about we take a break before dance rehearsal?
Tom, you're the musical director.
You don't call a break.
All right, everyone. Let's take a break.
Uh, can you let me know when you hear something
from you-know-who, yeah?
- Okay. - Come on, baby.
You were wonderful.
- Thank you. - Wonderful, that's you.
I just heard from Beth. She's not coming.
Why the hell not?
She said, and I quote,
"my boyfriend requested I no longer work with Derek."
Just find me someone else,
someone who isn't afraid of the big, bad Wills.
Oh, and, Tom, I asked for new material,
so why don't you give me something
that will change her image?
I'm here for Ronnie, not you.
If she wants to give the people
I got love for two full hours, you should let her.
Just find me something raw, for God's sake.
[Acoustic guitar ringtone]
Shalom from hell.
You still home?
No, I'm at NYU.
Peter invited me to talk to his acting class today.
Really? Why?
To impart wisdom, I assume?
And I've got plenty.
On collaboration, interpretation, subtext.
How about the subtext in this conversation?
You hate acting classes.
If Stanislavsky himself asked you to go to one, you wouldn't.
But Peter Gillman...
We're going back to work on the book right after class.
So now you're a we?
Got to go, minds to mold.
Well, you know where to find us.
Okay, thank you so much for your time.
Bye-bye.
What'd they say?
Same as Joe's pub.
"Send us your demos. We'll be in touch.
But we're booked for the next six months anyway."
And you mentioned Derek?
They asked if he was directing our concert.
And you told them no because that he won't do.
Just love help that isn't actually help.
He is helping us.
He told us what we need to do
while we finish writing our musical.
Try out material somewhere it counts,
build buzz, get noticed.
It's called development.
We're on the road.
Musicals take years to develop. There's no shortcuts.
[Phone vibrating]
Yeah, tell that to our shortcut.
Hey.
How fast can you get into Manhattan?
Oh!
What do you want, Jerry?
To remind you that you have
no need to be nervous tomorrow.
I made sure the lawyer questioning you is a friend.
[Laughs]
If he's a friend of yours, then I know I'm going down.
[Laughs]
He understands the situation completely.
You were vulnerable.
You fell victim to an unscrupulous man
with criminal connections you knew nothing about.
If he thinks I'm a victim,
then he doesn't understand me at all.
You want Bombshell back in front of an audience or not?
Tell the truth.
You had no idea where that money came from.
And what then?
They only care about Nick.
As long as he's missing,
they can't corroborate anything you say.
I'll let you know how it goes.
So glad you could make it.
- Thank you for asking me. - Sure.
Well, I thought I would start with why I love actors,
move to a few, uh, anecdotes,
take some questions, just go from there.
I'm sorry, I think there's been a misunderstanding.
You're not here to speak.
You're here to watch.
Watch what?
Your play.
Are you kidding me?
It's important to hear it out loud.
You are not going to humiliate me
in front of a bunch of 12-year-olds.
They don't know that you wrote it.
They don't even know it's about Marilyn.
I changed the names.
I mean, look, we have ten days
before we turn your draft into Eileen.
Ten days.
You really want to turn it in blind,
or do you want to find out what works and what doesn't?
Scene 1. A busy casting office.
Mary enters.
Hi. I'm Mary.
♪ One, two, three, four, five, six, seven, and one ♪
- Hey, Tom! - Hey!
What are you doing here?
Tom called. Said you were in a bind.
Dancer fell out?
And you said yes. Why?
Ivy Lynn, is that you?
Mind if I get in on the act?
- [Giggling] - You know Ivy?
Yeah, she was a swing when I was Audrey in Little shop.
I can't believe the actual Ronnie Moore is right there.
- Hey. - Hey.
Hey, I didn't know you were doing this.
It's okay, actually.
Congratulations on Liaisons.
Thanks.
Look, this is a total long shot.
I don't even know what we're doing here.
Well, it can't hurt to ask.
You could've dressed up though.
What are you doing here?
We heard you needed a song.
I went through mine and Julia's old catalog.
Our musical tense was pretty raw, if I say so myself.
No.
Oh, no. What have you got?
[Clears throat] I'm sorry.
Who are these people?
Oh, this is Kyle Bishop and his friend Jimmy Collins.
We're big fans.
I've never seen any of his stuff.
These delightful young people could be you in 20 years.
- 15. - Mm.
Look, I'm the musical director of this show.
I approve the songs.
Great, so approve them.
All right, you got six hours.
Have a look in your trunk, bring me something vital.
- Derek. - Mm-hmm.
They came around, and I have closed the deal.
- Ronnie! - Five, six, seven, eight.
All right, everyone.
There was some contract wrangling, but it's done.
Bravo will be filming tomorrow night's concert.
It'll be broadcast at a later date.
That's unbelievable.
Deals are being sent out to your agents.
Start thinking about bringing our a-game
because your audience of a thousand
just turned into a few million.
Oh, my God!
Well, there goes our shot.
What are you talking about? You need to get noticed, right?
If you bring him the right song, you'll get more than noticed.
You'll get famous.
Hit it.
[Upbeat jazz music]
♪ One, two, three, four, five, six, seven, eight ♪
♪ one, two, three, four, five, six, seven, eight ♪
♪ one, two, three, four, five, six ♪
♪ one, two, three, four, five, six, seven, eight ♪
♪ one, two, three, four, five, six ♪
♪ one, two, three, four, five, six, seven, eight ♪
♪ five, six, seven, eight!
♪ And this heart
♪ has been barely used at all ♪
♪ maybe you can make love
♪ from all the parts
♪ in this chest
♪ of broken hearts
♪ in this chest
♪ of broken hearts
Like the first three,
it's good, but it's not gonna work for this.
- Try I'm not lost. - I don't know that one.
♪ I may be missing when you ♪
♪ choose to come around
♪ well, I'm not lost, and I don't want to be found ♪
♪ I don't need to be found
♪ oh, I don't...
I'm sorry, do you have somewhere else to be?
Let's see.
I'm music directing a concert
for a huge Broadway star in less than 24 hours
that is apparently going to be televised,
and I don't know what songs she's gonna do, so...
[Laughs] No, totally free.
What about Room to breathe?
- Uh, just the chorus, then? - No, no.
That's not how you listen to music.
What, you want somebody to listen to your music like that?
Hey, when we were starting out,
we were lucky to even get in a room
with a music director for five seconds,
let alone five minutes.
[P. A. Beeps]
Tom Levitt to the stage please.
Look, everything you've played is great,
but it's not Ronnie's voice.
It might be what Derek wants, but she has to sing it,
and she loves Broadway.
She is Broadway.
[P. A. Beeps] Tom, get to the bloody stage!
- Coming! - Will you be back?
'Cause they've got a lot more.
I'll try, but... We'll write something new.
Something Ronnie and Derek, Broadway and us.
I'd have to have it by the end of rehearsal tonight,
so I could arrange it in time for the concert.
Sondheim wrote Send in the clowns in one day.
And you and Julia wrote Don't forget me
in less than that.
True.
Are you fast?
He's got it.
Why does Jason stick around Mary anyway?
She was incredibly demanding of his time,
expected him to do whatever she asked.
- What on Earth are you doing? - Taking notes.
I don't know, you can tell whoever wrote it
knows how to write, but something's missing.
- Like songs? - What about you, Gretchen?
If you could talk to the author, what would you say about Mary?
I guess I'd say
this is supposed to be a play about a strong woman, right?
But she's not strong at all.
She's totally defined by the far more interesting men around her.
Because that's what Marilyn was... an object to her men.
I thought it was loosely based on Marilyn Monroe.
Not loosely, no. No.
Based.
And you all would have known that
if he hadn't changed the character's names
and the setting...
Like I did with Hedda Gabler.
Oh, yeah! That was...
Right, and I suppose you thought Hedda Gabler
didn't work either.
- No, that was awesome! - Yeah.
[All laughing, chattering]
♪ Can't let go
[groans]
- It's great. - No, something's off.
No, it's not. It's perfect, really.
Keep going.
Yeah, it's pretty.
It's not connecting for me.
I mean, I can't find the next phrase.
Okay, what do you need right now?
What would help you?
Scotch, weed...
Coke.
Just... space.
I'll leave you alone for a little while.
Thanks.
All right.
♪ I can't let go
♪ ooh
- Ayeyi-yi. - What is that?
Hey.
Ah, just something I can't get right.
What do you think of this?
♪ I can't let go
It's good.
It probably should go up instead of down, like, um...
♪ I can't let go
Huh.
♪ I can't let go
Yeah. Yes, thank you.
[Sighs]
Is everything okay?
Ah, just I'm not quite sure what the target is
I'm supposed to hit here.
Never actually written a song for someone before.
So don't.
Write for you.
I should probably get back out there.
Yeah.
Can... can you, um, stay, actually?
I'd really appreciate it.
♪ I can't let go
♪ I need it to remind me ♪
I like that. That's nice.
♪ I can't let go
♪ da da da dum
[acoustic guitar ringtone] Oh, sorry. Sorry.
Hey.
He's a sociopath, Tom.
He took so much pleasure in humiliating me.
I can't believe that I'd been suckered in by him,
even for a minute.
Screw him.
Come hang with me in the theatre.
We have nothing but well-adjusted happy people here,
he says, tongue planted firmly in cheek.
I bought Peter's play, his one play.
So rain check on the insane asylum?
I have to read now.
Okay, let's see how good you really are.
Okay, this is getting a little weird.
Bye. Bye.
Yes, Liz, I'll be sure to get a good night's sleep.
Yes, I know it's a big day tomorrow.
Nick.
[Horns honk]
I mean, it's getting to the point
where I never stop working.
I don't have a life at all.
Events, dinners, openings, meetings.
I don't even have time to date.
You may be lucky there.
The men in this business?
Why did you date Derek again?
Was it the accent or that hair?
[Laughs] He's a genius.
I can't resist those.
Well, if he's such a genius,
why would I rather be in my dressing room than on the stage?
He's tough, it's true.
And he'll push you and drive you crazy
and make you hate him
and want to quit,
right up till you give the performance of your life.
And then somehow it's all worth it.
So you're saying I should give his way a shot?
[Snapping]
♪ I got
♪ I got love
Don't move away from them, Ronnie.
Move towards them.
♪ I got love
♪ sweeter than a flower
♪ growing by the hour 'cause I got... ♪
Sorry, are you laughing? Stop, stop!
What are you doing?
I'm trying it your way, but it feels ridiculous.
I'm not surprised. You look ridiculous.
Derek.
Look, this is no longer a perky, little ditty
about a girl who's finally got a boyfriend, all right?
This is a celebration of a woman who has finally gotten some.
So get comfortable with your body and with theirs
'cause we're telling grown-up stories now.
Again, please!
[Music starts]
♪ I got love
- Oh, come on! - ♪ I got love
Connect with your body.
♪ Sweeter than a flower
Make me feel something, anything!
♪ Growing by the hour 'cause I got love ♪
I get that you've only ever played saints and virgins,
but it was an act, right?
You know what it feels like to be turned on.
Derek, take it easy.
If you think you can direct this any better, go ahead.
♪ I've got... Okay, just stop.
Okay, that's... That is it.
Look, she's not comfortable with this.
Derek, that's enough.
Okay, that's a ten, people.
Again.
Really, Cynthia?
Oh, we're going to do this now, are we?
Look, it is in Ronnie's best interests
that she continues to work.
The only best interest you have in mind is your own.
- That's completely untrue. - Mm.
You're afraid if she doesn't do the Derek Wills show,
you'll look bad.
I heard you talking to Tom.
That's not exactly what I said.
Look, if you keep toying with her image or comfort level,
I will have you replaced.
Oh, with who at this late date?
Hmm. Tom Levitt for starters.
He gets my daughter. Don't you agree?
Well, what are you waiting for?
Do it.
Are you sure about that?
What if it gets out that you were fired
because you pushed her in a sexual direction
that she didn't like?
Now, what's that going to do for your career?
Had to come see you.
You shouldn't have come. They're gonna find you.
I'm gonna turn myself in.
As long as I'm out there, they're not gonna stop with you.
They don't know you like I know you.
You're a good man, you're a decent man.
Hey.
I can't run forever.
And I can't stand seeing your career,
your reputation destroyed
because you fell for the wrong guy.
You're not the wrong guy.
Stay here.
We can talk about all of this tomorrow.
We can figure it out.
Just come to bed.
Okay.
I've had successes, I've had flops,
but I've never had my name on something
I didn't believe in.
Even my Mustang commercial
had more of me in it than this does.
Hey, I'm talking to you.
No, you're talking at me,
like you always do when you know you're wrong.
What, you think I'm wrong
for demanding a certain standard?
To you, this is just a concert.
You'll move on to other shows.
This is Ronnie's life.
She wants to grow, but she's scared.
Okay.
What should I do?
Just let her sing whatever the hell she wants.
Derek, Derek.
You got to hear this song. It'll break your heart.
It's simple. It's pure.
It's Broadway, but a fresh take.
Yeah, well, slight change of program.
I don't need it, so...
I am going to give the people what they want.
No fresh take required.
I'm sorry, what are you saying?
You're not going to listen to the song?
I've got a show to direct, all right?
No, dude, you're gonna hear it.
I mean, that's the least you could do.
Jimmy, calm down. He's just been working really hard.
Don't speak for me.
If I'm gonna get screwed by someone, it's not gonna be you.
Okay, if this is how he behaves
when he doesn't get his way,
hit list is very unlikely to happen.
Hey, it isn't about that.
Just hear the song, Derek.
I gave it everything I've got.
Give me five minutes, I deserve that.
No, no one deserves anything in this business!
You wait your turn, and you earn it.
You are not there yet.
Seriously?
Jimmy.
It's all right, darling.
He's just showing off for you.
Come on, let's go.
I have a show to do.
You're not staying?
- Jimmy... - You know what?
I'm out of here.
Kyle, it's me.
I just wanted to check on Jimmy,
see how he's doing. Is he there?
No, he's not here.
In fact, I have no idea where he is.
I gave up looking for him around 5:00.
He's been gone all night?
Look, Karen, you're a really nice person,
and it's great that you're trying to help us and stuff,
but there's a lot you don't know, okay?
Jimmy's got a trigger,
and when it gets pulled, he disappears.
Sometimes for hours, sometimes days.
Well, let me help you look for him.
I got to go.
Kyle?
Just continue on the path that we've been on...
[Indistinct chatter]
All right? Thanks, man.
See you. Good work.
Not bad.
No. Awful!
The singing bird.
I thought the title was a metaphor, but no.
It's actually about a bird that sings,
and you have the gall to tell me how to write?
You think I don't know my play is bad?
My play is terrible.
Oh, no, I'm not falling for that.
I don't even own a copy myself.
I suck at writing, but I am a really great teacher.
No, you're not.
If you were, your students would have given me
a standing "O" instead of the hook.
I thought if you heard it yourself...
No more games, Peter.
I suggest things, and you start bantering,
which is your way of not really listening to me.
- I don't do that. - Yes, you do.
- No, I don't. - You're doing it right now.
No, I'm not. Yes, I am. Oh, my God.
I want Bombshell to be great. I do.
I just...
I just wish I knew what was wrong.
They're from The Wiz producers.
Ah, "we wish you all the best tonight."
That's code for "let's talk."
Oh, those network folks, they're going to be coming too.
They're going to want to take you out after.
I know you're gonna want to hang out with the ensemble,
but you can do that some other day.
Yeah, definitely.
Honey...
You're not letting Derek get to you, are you?
He doesn't know me.
I'm not just a good girl.
Ah, but the good girl is what the people want to see,
and you, my dear, must play to your strengths.
Oh, mm! Baby.
If my mother loved me half as much as I love you...
Maybe my singing wouldn't have stopped at church,
but this concert and this bravo deal,
they are the steps that you need
to move beyond Broadway, just what you wanted.
Sometimes I feel like I don't remember what I wanted.
And that's why I'm here,
to remind you.
Now is not the time to go changing things.
Okay, so we'll transition from A sleepin' bee
into If I loved you.
Uh huh.
And Ease on down the road will lead into...
Yep.
Will lead into I could've danced all night.
Right.
What is the matter with you?
Nothing. I'm fine.
Yeah, well, you're obviously not
because you're being passive-aggressive.
I prefer you aggressive-aggressive, as usual.
You made a mistake not listening to that kid's song.
Oh, yeah? Well, in case you hadn't noticed,
Ronnie and her shy and impartial mother
have a very clear direction
they want this concert to go in.
I've never seen you cave before.
And it turns out, when you cave, I like you even less.
I did not cave.
I came around.
Jimmy.
He's the real thing.
Tell anyone I said that, and I'll kill you.
♪ Baby, all the lights are turned on you ♪
♪ now you're in the center of the stage ♪
♪ everything revolves on what you do ♪
♪ ah, you're in your prime, you've come of age ♪
♪ and you can always have your way somehow ♪
♪ 'cause everybody loves you now ♪
♪ you can walk away from your mistakes ♪
♪ and you can turn your back on what you do ♪
♪ just a little smile is all it takes ♪
♪ and you can have your cake and eat it too ♪
♪ oh, loneliness will get to you somehow ♪
♪ but everybody loves you now ♪
♪ ah, they all want your body ♪
♪ and they await your reply ♪
♪ ah, but between you and me ♪
♪ and the staten island ferry
♪ so do I
♪
♪ all the people want to know your name ♪
♪ and soon there will be lines outside your door ♪
♪ feelings do not matter in your game ♪
♪ yeah, 'cause nothing's gonna touch you anymore ♪
♪ so your life is only living anyhow ♪
♪ and everybody loves you now ♪
♪ close your eyes when you don't want to see ♪
♪ and stay at home when you don't want to go ♪
♪ only speak to those who will agree ♪
♪ yeah, and close your mind when you don't want to know ♪
♪ oh, you have lost your innocence somehow ♪
♪ everybody loves you now
♪ I know that nothing lasts forever ♪
♪ and it's all been done before ♪
♪ ah, but you ain't got the time ♪
♪ to go be who you used to be ♪
♪ anymore
♪ see how all the people gather round ♪
♪ oh, isn't it a thrill to see them crawl ♪
♪ ah, keep your eyes ahead, and don't look down ♪
♪ yeah, lock yourself inside your sacred wall ♪
♪ ah, now this is what you wanted, ain't you proud ♪
♪ 'cause everybody loves you
♪ now
[music ends]
[Clapping]
You should sing that tonight.
I wish I could, but it's not very up.
Can't start changing things now, right?
Hey, Jimmy. I just called about you.
Hey. [Clears throat]
Are you okay?
What's going on? You don't look so good.
I may have done some drugs.
Oh, you've definitely done some drugs.
Which ones?
Nothing makes sense sometimes, you know?
I know.
Like, did I screw everything up?
'Cause, like, I was angry, and then Derek was angry,
and then Kyle was angry.
I mean, are you angry?
You're lying.
Even like this, I see.
I get so sick of letting everyone down.
I am sick of it.
It's like I do it all the time.
Okay, let's go inside and get you some water.
You can lie down in my dressing room.
Oh, no, I do not want to go in there.
- Jimmy. - Why? Why would I?
So everyone can see what a mess I am?
That's not why you go in there.
You go in, so everyone sees you can handle rejection.
It makes them respect you.
I mean, when I didn't get Marilyn, that's what I did.
I showed up for work.
So you really want me to go in there like this?
You think that this shows that I can handle it?
You're learning. You're getting a thicker skin.
I was waiting out here for you.
You were?
I'm so glad you showed.
Wow.
Wow, and I'm not just saying that because I'm rolling.
[Laughs]
Let's... let's try that again sometime when you're not high.
Come on.
So this is your fix?
Getting drunk at noon on a weekday?
Well, I was just vamping.
I really didn't have anything.
What if I don't have anything either?
Define "anything."
Like the talent to write something that counts.
You have written lots of things that count, Julia.
I've seen them all.
That student of yours?
Give her a gold star.
[Laughs]
She hit the nail on the head.
I keep writing men better than the woman,
which is so strange,
because Marilyn is who I'm most captivated by,
just like they were, I guess.
Wait, say that again.
I forgot what I said.
You basically said Marilyn was defined by men.
- Mm-hmm. - Then you said...
I identified with them.
Oh, my God.
- DiMaggio, Miller... - Mm hmm.
- Zanuck... - Yes!
J.F.K., even her therapist.
When she sings Don't forget me,
that's who she's singing to...
[Laughing] And I didn't even...
I didn't even realize it.
I've been trying to make the show about Marilyn,
when it's really about how men saw her.
[Gasps]
Every scene should be from a man's point of view.
Oh.
She didn't have a voice.
They all spoke for her.
You know what?
Let's start with her first husband Jim dougherty,
go from there.
How'd it go today?
Very well.
Nick turned himself in.
He told the feds I had absolutely no idea
where the money came from.
So you're back in business.
I went in anyway.
- I told them I knew. - Why?
Eileen!
Because unlike you, Jerry,
I care what happens to the people I love.
Nick was only doing what he thought might help me,
and they needed to know that.
And Bombshell?
They're letting you keep it.
Not exactly.
Five minutes to show-time, people.
That's a fast five minutes.
- What are you wearing? - Mom.
What has he talked you into?
If I'm gonna give up a real life for this,
I'm going to love it.
When I see Derek's work, I love it, mom.
I hope you do too. Places, please.
Places for the top of the show. Places.
You might want to get to your seat.
It's going to be quite a show.
♪ Sunshine shine
♪ mmm, I got mine
♪ carve it on the willow
♪ talking to my pillow
♪ I've got love
♪ every time I'm with him ♪
♪ I know I'm a lucky girl ♪
♪ for the first time in my life ♪
♪ I'm somebody, somebody, somebody ♪
♪ bye-bye, bye-bye, blues ♪
♪ I can't lose
♪ got a jar of honey
♪ and every day is sunny ♪
♪ 'cause I got you
♪ 'cause I got love
♪ I got love
♪ I've got love, love, love ♪
♪ ooh, I got love
♪ hey, I've got love, love
♪ ooh, oh
♪ I got love
[cheers and applause]
I'm sorry, okay?
Do you even know what you're apologizing for?
I'll do better. I will.
No, you won't.
It doesn't matter. She's not doing your song.
See you at Joe's pub in three years.
I want to end with a new song tonight.
It's never been sung in front of an audience before,
but I had to share it with you
because it touched my heart.
♪ They say nothing lasts forever ♪
♪ well, I wish that that were true ♪
♪ 'cause this aching in my heart won't ♪
♪ go away
♪ they sing everything must change ♪
♪ they say that time will see you through ♪
♪ well, I've listened
♪ and I've waited for that day ♪
♪ but I wake up with this anger ♪
♪ and the pain won't let me be ♪
♪ and the smile I share ♪
♪ is only there for show ♪
♪ if I hang on to this heartache ♪
♪ then my soul will not be free ♪
♪ so I keep trying
♪ but I just cannot let go ♪
♪ I can't let go
♪ I need it to remind me ♪
♪ I can't let go
♪ or I'll just repeat the past ♪
♪ and though your arms are saying "yes" ♪
♪ I feel my heart keep saying "no" ♪
♪ I want to love you
♪ but I can't let go
♪ I have lived through bad beginnings ♪
♪ and I've seen unhappy ends ♪
♪ so I close the book before the story starts ♪
♪ before the story starts
♪ I'm just a witness to my lifetime ♪
♪ and I'm a stranger to my friends ♪
♪ I'm the trafficker
♪ of broke and damaged hearts ♪
♪ now you ask me to start over ♪
♪ but it's easier said than done ♪
♪ and the memories
♪ are strong when they arrive ♪
♪ and when heartache comes a-callin' ♪
♪ I don't even try to run ♪
♪ 'cause it's all that
♪ makes me know that I'm alive ♪
♪ I can't let go
♪ I need it to remind me ♪
♪ I can't let go
♪ or I'll just repeat the past ♪
♪ and though your arms are saying "yes" ♪
♪ I feel my heart keep saying "no" ♪
♪ I want to love you ♪ I want to love you
- ♪ I want to love you - ♪ I want to love you
♪ oh, I want to love you
♪ but I can't let go
♪ I can't let go
♪ no, I can't let go
♪ I can't let go
♪ won't you help me
♪ help me to let go
[cheers and applause]
I want you to meet the songwriter Jimmy Collins...
- [Mouthing words] - [Mouthing words]
And his partner Kyle Bishop.
[Cheers and applause]
It's almost midnight.
- I don't want to stop working. - Neither do I.
We shouldn't let our momentum die.
We won't. Tom should be home any minute.
We should go away.
With your permission, I'll rent us a car,
we go up to my home in the berkshires
and get this thing done.
[Cell phone ringing]
Eileen.
H-how'd it go?
What is it? What's going on?
We are dying here.
Bombshell is free.
You're going to Broadway.
[Laughter]
- Oh! - Wait, wait.
"You're" going?
Well, there was just one condition.
That I step down as producer.
Eileen.
So what happens now?
Well, the show doesn't have
a great reputation at the moment,
but there is one person who is willing to step in.
Jerry.
You all know what I think of him.
Yes, and we think the same.
But he loves the show, and he very much wants in,
and he can take you to Broadway.
I know he's the world's worst human being,
but he's a very good producer,
and I just don't want to see all your hard work go to waste.
Our hard work.
I just hope I'm not making the wrong decision.
Oh, and thanks for the files you gave me.
[Laughing] It's all over now.
Bombshell will be the biggest hit Broadway's had in years.
I'll be the producer,
and everyone will know
Eileen Rand couldn't do it on her own.
She'll never work without me again.
I'm putting the rest of what I owe you in the mail, Ellis.
Don't ever, ever contact me again.
Sync and corrected by dr.jackson for www.addic7ed.com