NARRATOR: Previously on Smash...
I got a call-back for Marilyn.
I got a call-back.
DEREK: Ivy Lynn, this is Karen Cartwright.
I have a pretty clear sense of what I bring to the party.
She's sleeping with him? I could have done that.
And I didn't.
You came into this marriage with nothing.
You poisoned my investors, you jackass!
Got $7 million under there?
It was idealistic to think that we could do this without a star.
The incomparable Rebecca Duvall.
(SINGING) Fade in on a girl...
Her agent, her manager, everyone said she could sing.
You had dinner and then you slept with my wife!
No one applauded.
Will you marry me?
(RETCHING) Oh, my God. Rebecca?
I'm not going back into the show.
Where's Karen Cartwright?
You're going on as Marilyn. Tonight.
Why wasn't it me?
She just has something that you don't.
I'm not gonna tell anybody.
I think I left something in your room.
What are you doing with my engagement ring, Ivy?
I'm sorry. We just need one minute.
No. We don't.
Actually, the more you hurt, the better.
Knock it off, Derek.
Don't ever doubt... (SOFTLY) You're a star.
(VOCALIZING)
(SINGING) I know I've kept you waiting I know I made you mad
But this time that we've spent creating
Was the best time I ever had
Now I love to sit with memories
But they won't come until we're gone
So give me a kiss and cut, print...
Moving on!
Tell me a brand-new story Together, we'll turn the page
The grass is always greener on some new Technicolor stage
And if a duckling never swims she'll never become a swan
Yes, I'm diving in so cut, print, moving on!
Yes, there have been nights I'll long to relive
But sometimes you gotta roam
You can't fight when something's gotta give
But you'll always be my home away from home
Now, I like to play a love scene
but don't let it last too long
Play me the eight-bar intro of some new lush romantic song
I'm not afraid to take that leap
With you to depend upon
Now, tell me your name
Cut, print, moving on
We told the same jokes We breathed the same air
We couldn't tell night from day
But just like the end of a love affair
We all know the time comes to break away
Last year, we all were strangers
This year, we're lifelong friends
I know that this location is not where our story ends
Get up, 'cause the rat race never ends
This life is a marathon
And I plan to run so much more than a sprint
What's next? Well, I can't even give you a hint
But boys, that's a wrap so cut! Print!
Moving on!
And on!
Moving on!
(ELEVATOR BELL DINGS)
After you.
You can get the next one.
Okay, everyone. Now that we're finally here, first things first, please.
For a job well done.
(ALL CHEERING)
In Boston.
But that was then, and this is now.
Eileen.
I trust you all enjoyed yourselves up there.
We had a successful run. I would say
overall the experience was instructive.
But before we apply its lessons,
there's the small question of where.
It is my goal to book us a Broadway theater by the end of this week.
In the meantime, if any of you get any other offers,
if you go on vacation, or frankly even think about getting a haircut,
let us know.
While I'd like to publicly state that it is
my intention to pick up everyone's contract...
Depending on the changes made by the creative team,
we may not be able to do that.
JULIA: But we're not there yet.
We thank you and we hope to see you on Broadway soon.
And no raises, so don't ask!
(ALL LAUGHING)
Karen, can I have a word, please?
Sure, yes.
"Some of you will cease to exist
"after the creative team's changes"?
I'm not worried. You should be.
She's part of the creative team now.
If I were you, I'd keep an eye on my back,
make sure there's no target on it.
I'm planning a little soiree for the press this weekend.
A sort of coming out party for the show.
I'd love it if you'd sing something, perhaps the opening number.
Of course, yeah. That would be great. Anything for you.
Great. Well, maybe you'd like to choose a couple of backup singers.
It can be whoever you want.
Well, Jessica and Beth, of course.
And one more?
Joy.
Joy. Great.
Linda? LINDA: Yes?
Would you grab Jessica, Beth and Joy for me?
I hope you're ready. It all starts now.
(CHUCKLES)
MAN: Hit it!
Six, seven, eight!
Moving on. Michael Swift wants to be let out of his contract.
He feels that he did us a favor when we were
in a bind, and we have ample time to recast.
I trust there are no objections?
Nope.
Okay, good. Let's talk about the reviews.
Uh, remember, I haven't read them.
(LAUGHS) You're not serious?
TOM: She never does.
I just read Tom's face. It tells me everything I need to know.
Oh. Did Tom's face tell you what they singled out, then?
Me. The cast. Derek.
She's the one who hasn't read them.
I don't need some critic getting in my head.
I sat in the audience for three weeks.
I know there are things that need to be done.
I want this to be the best it can be.
And that's what we're gonna do.
After my meeting tonight with Jordan Roth,
we're going to book the best theater
Broadway has to offer, the St. James.
Oh, the St. James would be so amazing.
Oklahoma! opened there. The King and I.
The Producers. The Producers.
Big hits. Long runs.
Good juju. DEREK: Yeah, okay, great.
What if we don't get a theater today, hmm?
I've got a lot of projects waiting to hear how busy I'm going to be.
I want to know what to plan for.
Don't worry about it, Derek, I'll get it.
Meanwhile, keep our leading lady happy.
Everyone's talking about her.
They want to know if she's as good as they've heard.
She's better.
Yes, we all know where you stand on the matter.
Oh, it's not just me. Or didn't you read the reviews, either?
Oh! God. Not listening. Going outside.
"When Karen Cartwright implores you to let her be your star,
"you'd have no problem answering with a resounding 'yes,'
"if it weren't..."
I'm aware.
Yeah, it's not you I'm worried about.
I'm handling it.
Yeah, well, can we not do it on Tom time, please?
Sometime this century would be nice.
Call me when you have a reason to. (DOOR CLOSING)
Bye, Derek!
Thank you, Ana. For letting me move in, and everything.
Well, thank my roommate for doing that Disney cruise.
Where are you going tonight, by the way?
Derek is taking me to see Veronica Moore and then meet her after.
Oh, you get to meet her? I'm so jealous! She's incredible!
You're going to love the show, too.
It's about this sweet 1950s ArethalEtta James-type,
but she has this really overbearing mother.
Don't spoil it.
Here. How do I look?
Like you care.
Maybe I do. See you later, sweet-cheeks.
Bye.
So what did your agent say?
When I told him that he should expect
a phone call about my contract,
he said that the agency had already received
phone calls for their other clients.
Maybe they're calling alphabetically,
and they just haven't gotten to "L" yet.
Did you get a call, Sam Strickland?
Yeah.
What can I do about it?
Besides be on your best behavior, which I know you already are,
you gotta find a way to stay with the show.
Any suggestions?
Well, you're an amazing singer, an even better actress.
Remind everybody why they fell in love with you in the first place.
Once you do that,
you can get back on the road to becoming
the star you were intended to be.
What is a star anyway? Do they even still exist?
(SINGING) Boy I go to school with calls me up for a date
He said, "I'll come 'n getcha 'bout a quarter to eight"
We go off to a movie where he steals a little kiss
And then we park around the corner to explore a little bliss
I think his heart's a-pounding but it isn't my man
It's my mama out the window with the frying pan
Saying, "Hands off, Mister! That's my little girl
"Keep your cultivating fingers off my precious little pearl"
I never get to keep no company
Because one and one is two, but, baby
Mama makes three
Now, ladies, listen up.
I moved away and finally meet the man of my dreams
He puts a diamond on my finger
How it sparkles and gleams
We have a simple wedding with the shoes and the rice
And then we head off to our honeymoon to really break the ice
I whisper, "Dim the lights" and go to slip on something red
But when I turn around you know who's lying in bed
Saying, "Hands off, Mister! That's the light of my life
"I ain't givin' up my daughter just because she's your wife"
We'll never add a branch to our family tree
Because one and one is two, but, baby Mama makes three
(VOCALIZING)
Mama makes three
Hey, Mama, I love you still But, hey, Mama, I've had my fill
Hey, Mama, you're where it began
But, hey, Mama, I love my man
Hey, Mama, please leave us alone
Hey, Mama, just use the phone
Hey, Mama, you had romance
So Mama, give a girl a chance!
Just give me a chance!
Give the girl a chance!
(AUDIENCE APPLAUDING AND CHEERING)
How you doing? Hey. I'm good.
Karen Cartwright. Ah.
Veronica, you were incredible.
Ronnie, it's great to meet you.
Derek's told me all about you.
Y'all give me a second. Let me get dressed and I'll be back.
Come in.
You ready for your last performances?
VERONICA: Not really. It's sad to leave.
DEREK: It's time to move on.
We're doing a revival of The Wiz after I finish with you.
I know. I can't wait.
VERONICA: Another good girl role for Broadway's sweetheart.
DEREK: As long as you keep winning them Tonys, darling...
Oh, if you don't mind me saying,
the speech you gave when you won your first one,
about the things you gave up when you started out,
and how those sacrifices weren't for nothing,
it was a huge inspiration to me.
I have a question, Ronnie.
What is the best piece of advice you would give to someone
who's about to get exactly where you are?
That's easy. Protect the work.
The moment you lose focus, the moment the work suffers,
someone's always waiting to take you down, honey.
But, if the work's good, they won't be able to.
That's good advice. Thank you.
You're welcome.
Get ready, this is gonna be you in six months.
(CAMERA CLICKING) (PEOPLE CLAMORING)
Look at 'em. Two years later, they're still smiling.
Eh.
So it's a piece of fluff. Bombshell will take us to the next level.
You know we have some stuff to fix first, right?
I mean, it isn't perfect.
Of course. Everyone has their work to do.
Even you.
(CELL PHONE CHIMING)
Okay, time to go.
I promised Frank that I would be there when he got home
from his dinner with the new superintendent.
I'm so glad it's working out between you two.
We're trying.
I know you are.
So, how long do you think till we hear from...
JERRY: Eileen.
Jerry. I thought I felt a chill.
That seat's taken.
Oh, by, uh, Jordan Roth?
I don't see him.
Maybe he knows, like everyone else knows,
that you don't have the capital yet to take Bombshell to Broadway.
I could help.
I have a lot of friends.
Yes. Mine. The ones you stole.
If only you would stop, stop thinking the worst of me.
I know you, and I know what you're up to.
You saw my show, and you saw it was better than anything you have.
So you called all the theater owners to block my way,
hoping that I would come to you in my time of need.
If you want in, you should just say so.
I want in.
Get out of here before I throw another drink in your face.
(LAUGHS)
Eileen, I'm so sorry I'm late! Jordan!
Nonsense. You already called.
Does he know? No. Should we tell him?
I have offered Bombshell the St. James.
Isn't that wonderful?
(PHONE RINGS) EILEEN: Oh.
It's Nick. My boyfriend.
Excuse me.
Hi! Guess what? I hope you're sitting down!
We're going to Broadway!
Excuse me for one second.
KAREN: (SINGING) Let me be your star
And then people will clap, Eileen will speak,
and the other number will start.
Uh, another? Eileen only asked me to do one.
Oh, it's not you. It's Ivy and the ensemble. They're going to sing Smash!
Linda, can we do something about the angle of this piano?
I feel like I can't see anyone. Sure.
I know you won't believe me,
but this isn't about you.
No, it's about you. As usual.
Excuse me.
Seems like old times.
Can I ask you a question?
Go ahead.
What is my future with this show, exactly?
I want to do everything I can to ensure
that when it opens on Broadway that I'm a part of it.
And my agent still hasn't gotten the phone call...
That's why you asked to sing.
Okay, here's my answer.
It's not going to be easy. You need to apologize to Karen.
For whatever it is that went on between you two.
I already did. In Boston.
(CHUCKLES)
Well, maybe you were apologizing for the wrong thing.
(CLEARS THROAT) After the whole Michael...
Well, you know. Um...
I spent a lot of time telling my husband I was sorry for what I did.
But it meant nothing until I apologized for why I did it.
If you could stop making this about what happened,
and tell her why it did,
you might just get a second chance.
TOM: Ivy, you're up!
Good luck. I'm rooting for you.
So, Derek. Another big moment for you.
Bombshell and The Wiz treading the boards the same season.
Mmm-hmm.
Did you see the show in Boston?
Not only did I see it, I saw it with Rebecca Duvall.
I don't suppose you have anything to say
about her abrupt exit from the show?
"No comment"? Really?
Okay.
Rebecca Duvall is a superstar.
And like most superstars, she knows what she's good at.
And what she isn't.
If I didn't know any better, I'd think you were
suggesting she poisoned herself
to get out of her contract.
I did not say that, Michael. But it would have made a better story.
You gonna sit down and order something?
No, I'm waiting for my friend.
Get you something while you wait, then?
No, thanks.
I'm Jimmy, by the way.
Do you talk to all your customers this much?
Are you a customer?
Mmm. I thought you were just another actress
taking a meeting in my station,
who won't order anything but a glass of water.
I'm not like that.
Karen, Michael Riedel.
I can't wait to see you in the show.
Oh. I hear amazing things.
Thanks. Thank you.
Still or sparkling?
Tap.
Hi. I got your text.
Is everything okay?
Did you know about Ivy singing at the party?
No.
I keep thinking about what Ronnie said, about protecting the work.
I'm worried I won't be able to
with Ivy in my face all the time, and I thought...
Just say the word and I will let her go.
Okay.
Consider it done.
How was your meeting with Casey?
He offered me the General in The Book of Mormon tour.
Wow. That's... I mean, congratulations. Wow!
It's a great part, but I think I'm going to stay in the city.
For Bombsh... You have 10 lines in our show.
In Mormon, you'd be front and center.
Without you.
Sometimes, you have to put what's right for you
above what's right for someone else.
Have you ever done that?
You didn't allow yourself to feel a second of happiness
over the reviews you got.
I mean, what did Variety say again? (SIGHS)
"Levitt's score is a marvel,
"full of charm and pizzazz in its pastiche numbers,
"and unparalleled emotion in its introspective moments."
I allowed myself some happiness, in private.
I just didn't want it to seem like
I was gloating around Julia when she got...
Slammed in reviews she doesn't even know about?
(SIGHS)
They loved her lyrics.
I'll tell her, in time. Just not yet.
Her focus needs to be on her marriage.
We're partners, Sam. It's my job to protect her.
As her partner, it's your job to be the one person who doesn't.
If you can't tell her, who can?
Maybe I'll never have to, maybe she'll figure out her problems...
TOM: Is that Frank?
Huh.
JESSICA: Ivy, have you seen this?
Oh, my God. Is this for real?
Yeah.
"Rebecca Duvall has just released a statement claiming
"the reason she left Broadway-bound musical Bombshell
"was not due to illness,
"as previously reported, but because the director, Derek Wills,
"sexually harassed her in her dressing room."
Is this some sort ofjoke?
Everyone knows Rebecca Duvall would sleep with a followspot operator
if it meant more light on her downstage.
This must be what Derek called me about.
Find you guys later? There's something I have to take care of first.
Good luck. Your life depends on it.
DEREK: Thanks for understanding.
What, some actress throwing you under the bus to save face?
You may be a womanizer, but I know there's no merit to her story.
Yeah, well, you might want to tell that to the producers of The Wiz for me.
I'll call them now.
Thank you.
I'll say hello to Eileen.
And here I was, throwing a party
and thinking I could talk about the show,
and not its director's personal life.
Michael Riedel said he was coming tonight.
I want you to turn him away at the door.
I don't think so.
He's the reason she retaliated the way she did.
He just ran a quote out of context.
I don't blame Michael Riedel for your mess and neither should you.
Now, let's just hope it doesn't blow up into something bigger.
I'm going to see if Jordan's arrived for the announcement.
Frank! It's so good to see you.
Hey, Linda. How are you?
Oh. Better, now that I've had a break.
How are you?
I'm good, thanks.
Oh, that's wonderful.
You know how much I've always admired you and Julia's relationship.
Our relationship?
Yes! I'm glad you've worked it out.
Yeah, we... (STAMMERS) We did. Thanks.
Hi.
Okay. Here we go!
Eileen had the cocktails named after Marilyn movies, isn't that cute?
I got you a Clash by Night.
Does everyone know?
Know what?
Linda just told me how happy she is
that we're working on our marriage.
Does everyone know about Michael?
Shows are like families. Everyone knows everything.
Of course. How could I ever think
that our private life is private?
I'll take another Clash by Night.
(WHISPERS) Maybe I shouldn't say anything.
It could have just been a goodbye between good friends.
(INHALES SHARPLY) Very good friends.
She's your best friend. You should tell her.
(SIGHS)
You can't make it? Why not?
What do you mean, "Let's talk tomorrow"?
Well, do I still have the theater or don't I?
No, you don't have to go.
Jordan Roth isn't coming. Something must've happened.
Maybe he heard about Rebecca?
Maybe he read Julia's reviews?
The press are here, waiting for an announcement.
If he doesn't show, they're going to notice.
I need something to distract them
while I get to the bottom of this.
Why not use her?
Hi.
Good thinking.
Uh, everybody, please put your hands together
for Bombshell's very own Marilyn, Karen Cartwright,
plus a very special guest, two-time Tony award winner, Veronica Moore.
(SINGING) They say the neon lights are bright on Broadway
They say there's always magic in the air
But when you're walkin' down the street
And you ain't got enough to eat
The glitter rubs right off and you're nowhere
(VOCALIZING)
They say the women treat you fine on Broadway
KAREN: (SINGING) On Broadway
(MOUTHING)
But lookin' at them just gives me the blues
'Cause how ya gonna make some time
Make some time
When all you got is one thin dime
One thin dime
won't even shine your shoes
(BOTH VOCALIZING)
They say that I won't last too long on Broadway
On Broadway
I'll catch a Greyhound bus for home they all say
But they're dead wrong I know they are
Know they are
'Cause I can play this here guitar
Here guitar
And I won't quit till I'm a star on Broadway
On Broadway
And I won't quit till I'm a star on Broadway
On Broadway
(VOCALIZING)
On Broadway On Broadway
(ALL CHEERING)
Thanks.
Thank you. Thank you.
Bravo. Thank you.
I wasn't doing so well, but I feel better.
How did you do that?
I'm your muse. It's what we do.
I just, um...
Is that why you called me? To tell me you're with Karen?
Because you didn't have to, it's very clear to everyone.
I'm not with Karen.
And that is not why I called you.
Well, then why did you call me?
Oh, my God.
You're letting me go.
Because of her? Ivy...
What happened to the drinks?
Who were you with tonight before you met me?
What? No one.
Tom saw you.
She's just someone from school.
You know, the new superintendent.
It was nothing.
Well, then why didn't you just tell me you were meeting?
Are you kidding me with this?
It's just a question. I'm not accusing you of anything.
Not accusing me? My God, Julia. Really? Coming from you?
(CLEARS THROAT)
Frank.
No.
Julia, I can't believe this.
Suspecting me of something when you're the one who did everything!
Frank, calm down.
And you didn't do it just once, either.
And that's just the affairs that I know about!
Frank, look, let's just talk about this calmly, okay.
You know what? Mary, the woman from school,
I didn't sleep with her. I wanted to.
Maybe I should, to even the score, huh? Would that make it okay?
Or should I just sleep with someone in the cast, keep it in the family?
After all, you did, and Tom did,
and Derek did with every actress who put on a Marilyn wig.
Why the hell can't I?
RIEDEL: Can I quote you on that?
Oh, come on!
Karen.
(LAUGHS)
Look, I... I...
After you.
Having me fired was... Ivy...
Absolutely right.
You hate me. You should.
But even you can't hate me as much as I hate myself for what I did.
And the crazy part (INHALES SHARPLY)
Is that you don't even know how bad it got.
That night of your first preview in Boston, I was a mess.
I almost...
I almost did something really stupid.
And for what?
Because I was jealous?
Because of a part in some show?
I'm truly sorry that I ever got in your way.
Good luck.
You deserve it.
What happened?
Where's Frank?
Gone.
My marriage is over.
I'm so sorry.
(SOBS)
(LAUGHS)
And to think that...
I thought when I saw your face
that you were going to tell me about the reviews.
(LAUGHS)
I promised I wouldn't.
I read them opening night.
I pretended that I didn't because I was so mortified.
Everything that I've done
has turned out so wrong.
What if I can't fix it?
I'll help you.
I'm your partner.
Eileen. Hi.
Um...
I know Derek was going to let Ivy go, but I've been thinking...
Before Riedel prints a word...
Excuse me, darling. Okay, I've got a plan.
Um... You need to make a statement in support of me, please.
I can't do that, Derek.
Yeah, you can. Just do it.
This place is half full ofjournalists. Just pick one.
I'm serious, Eileen. If you want me to continue with the show...
I don't give a damn what you do, Derek.
There is no show.
What do you mean there's no show?
Someone tipped off the government
about the money I've been using
to finance the show,
and who it came from.
Bombshell is under investigation and as such, is frozen,
along with the remaining funds.
Now, if you'll forgive me, I have to go talk to my lawyers.
I still don't understand what happened.
All this hard work. It can't really be over, can it?
It's not unheard of, okay? It's crazy.
A whole year gone by, it's like waking up from some dream.
Yeah, well, at least you woke up.
It looks like my nightmare's just beginning.
If I lose The Wiz and Bombshell...
Maybe I can help?
I'm still your muse, aren't I?
Yeah, something like that.
Look, I hope you find something else for yourself, Karen.
Something that hits you the way Bombshell hit me.
Oh. If you do,
give me a call.
I might need a job.
(EXHALES)
How are you feeling?
Oh. Uh... (SIGHS)
As bad as I should.
(SNIFFLES)
(GROANS) You really don't mind me crashing here?
Not as long as you can make room on this sofa for me.
I'm going to tell Sam he should take the tour.
I'm sorry.
Single again. At this age.
Who'd want me?
Anyone in their right mind.
Then I probably wouldn't want them.
You know what? Why don't you just stay here?
What? Why not?
It'll be like old times. Or a sitcom.
Maybe even get some work done.
Plus, I'd get to see Leo more.
If you really mean it... Just until I figure out what's happening.
Don't make me beg.
Okay, wait. Uh-uh.
One condition, though.
Don't hide anything from me anymore.
Not the truth, not the newspaper. Hand it over.
Are you sure? Look.
I can't feel any worse than I do now, right?
Okay.
(BREATHES DEEPLY)
You're gonna need something stronger than tea.
Hi.
You're here for the ensemble, right?
That's right.
Oh. You were in Bombshell. What a mess, huh?
Actually, it was pretty great.
(PIANO PLAYING)
(SINGING) There is freedom within there is freedom without
Try to catch the deluge in a paper cup
There's a battle ahead
Many battles are lost
But you'll never see the end of the road
While you're traveling with me
Hey, now, hey, now Don't dream it's over
Hey, now, hey, now When the world comes in
They come, they come
To build a wall between us
We know that they won't win
Now I'm towing my car
There's a hole in the roof
My possessions are causing me suspicion but there's no proof
Hey, now, hey, now don't dream it's over
Hey, now, hey, now when the world comes in
They come They come
To build a wall between us
We know they won't win
Don't ever let them win
Hey, you done? Bar's closing.
The sign says you're open till 1:00. It's only quarter to.
Yeah, and you've been watching your ice melt for the past 20 minutes.
While I appreciate you actually ordered something,
people got to get back to their real lives.
Yeah. This is my real life.
Alone at a bar at 12:45. I'm sorry.
You really don't have the talking-to-customers thing down, do you?
You wanna teach me?
Keep the change.
I'm good, thanks.
Is he always like that?
Yeah, kinda.
Hey, um, don't I know you?
I doubt it. Karen Cartwright.
(CHUCKLES)
I saw you in Bombshell. You were incredible.
I was so sorry to read about what happened.
Me too. Thanks.
Hey, would you do me a favor?
Can you sign this for me?
(LAUGHS) I know. It's really corny, but, um...
I have this collection of programs from failed musicals...
Oh, damn, I'm sorry, I have this thing,
I just start talking before I realize I'm talking and then...
It's okay.
JIMMY: Ky, we gotta get going.
(GROANS)
Oh, are you two... Are you guys, like...
Us? (LAUGHS)
No. God, no. I mean, he's not...
But does it look like we are?
(CHUCKLES)
You have a good night. (PIANO PLAYING)
JIMMY: (SINGING) I'm high above the city
I'm standing on the ledge
The view from here is pretty
And I step off the edge
Forgot my phone. Sorry.
And now I'm falling, baby Oh...
You didn't see this. He's not playing the piano. He's not supposed to.
I'm falling, baby
What is that he's playing?
It's, uh... (CHUCKLES NERVOUSLY)
Just a song he... We wrote for, um...
For this musical we're working on. Cool.
KYLE: You really gotta go. I'm sorry.
Toward the street that I'm from
Oh, Broadway, here I come
Broadway, here I come
The people all are pointing
I bet they'd never guess
KAREN: Derek. Karen, it's late. What's going on?
You need to hear something.
DEREK: What are you talking about?
Listen.
But even though I fear it
I'm playing all my cards
Where are you? What is that?
Something else.
Baby, you are gonna hear it
When I give them my regards
I'm falling, baby, through the sky through the sky
I'm falling, baby, through the sky
It's my calling, baby Don't you cry, don't you cry
I'm falling down through the sky
And I refuse to go numb
Oh, Broadway, here I come
Broadway, here I come
Broadway Broadway, here I come
Here I come
The last thing I hear
As the impact grows near
Is it a scream or a cheer?
Well, never mind, I'll never find out 'Cause, Broadway, I am here